“Freedom is Uncertainty”

We are creatures of prediction
Yearning to master an Umwelt
And yet curiosity, like an addiction
Where fixed ways begin to melt
Driven by a fear of the unknown
Seeking novelty within our zone

From whence is freedom born?
Not knowing how the story ends
My own autonomy I have sworn
Sole authorship despite the trends
Thoughts appearing without cause
Predictability should give me pause

The grand illusion of control
When influence is out of sight
Freedom is what defines the soul
No cause relents, try as we might
This decision must be mine
Interconnected, but not divine

From whence is freedom born?
An unconscious realm of ought
Conflicting desires leave us torn
Within a web of neurons caught
Granted by atoms and the void
Causa sui has been destroyed

Choices forged from deep inside
What does the future hold?
Where does this power reside?
To think it’s me is far too bold
I’m free because I cannot see
My freedom lies in uncertainty

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Book Review: Niles Schwartz’s “Off the Map: Freedom, Control, and the Future in Michael Mann’s Public Enemies”

Elijah Davidson begins his foreword to Niles Schwartz’s book titled Off the Map: Freedom, Control, and the Future in Michael Mann’s Public Enemies with a reference to Herman Melville’s Moby Dick, where he mentions how that book was, among other things, about God.  While it wasn’t a spiritual text in any traditional sense of the term, it nevertheless pointed to the finitude of human beings, to our heavy reliance on one another, and highlighted the fact that the natural world we live in is entirely indifferent to our needs and desires at best if not outright threatening to our imperative of self-preservation.  Davidson also points out another theme present in Moby Dick, the idea that people corrupt institutions rather than the other way around—a theme that we’ll soon see as relevant to Michael Mann’s Public Enemies.  But beyond this human attribute of fallibility, and in some ways what reinforces its instantiation, is our incessant desire to find satisfaction in something greater than ourselves, often taken to be some kind of conception of God.  It is in this way that Davidson refers to Melville’s classic as “a spiritual treatise par excellence.”

When considering Mann’s films, which are often a cinematic dichotomous interplay of “cops and robbers” or “predator and prey,” they are, on a much more basic level, about “freedom and control.”  We also see his filmography as colored with a dejection of, or feeling of malaise with respect to, the modern world.  And here, Mann’s films can also be seen as spiritual in the sense that they make manifest a form of perspectivism centered around a denunciation of modernity, or at least a disdain for the many depersonalizing or externally imposed meta-narratives that it’s generated.  Schwartz explores this spiritual aspect of Mann’s work, most especially as it relates to PE, but also connecting it to the (more explicitly spiritual) works of directors like Terrence Malick (The Thin Red Line, The New World, The Tree of Life, to name a few).  Schwartz proceeds to give us his own understanding of what Mann had accomplished in PE, and this is despite there being a problematic, irreconcilable set of interpretations as he himself admits: “Interpreting Public Enemies is troubling because it has theological and philosophical precepts that are rife with contradictions.”  This should be entirely expected however when PE is considered within the broader context of Michael Mann’s work generally, for Mann’s entire milieu is formulated on paradox:

“Michael Mann is a director of contradictions: aesthetic and didactive, abstract and concrete, phantasmagorical and brutally tactile, expressionistic and anthropological, heralding the individual and demanding social responsibility, bold experimenter and studio genre administrator, romantic and futurist, Dillinger freedom seeker and Hoover control freak, outsider and insider.”

Regardless of this paradoxical nature that is ubiquitous throughout Mann’s filmography, Schwartz provides a light to take us through a poetic journey of Mann’s work and his vision, most especially through a meticulous view of PE, and all within a rich and vividly structured context centered on the significance of, and relation between, freedom, control, and of course, the future.  His reference to “the future” in OTM is multi-dimensional to say the least, and the one I personally find the most interesting, cohesive, and salient.  Among other things, it’s referring to John Dillinger’s hyper-focused projection toward the future, where his identity is much more defined by where he wants to be (an abstract, utopian future that is “off the map,” or free from the world of control and surveillance) rather than defined by where he’s been (fueled by the obvious fact that he’s always on the run), and this is so even if he also seems to be stuck in the present, with Dillinger’s phenomenology as well as the film’s structure often traversing from one fleeting moment to the next.  But I think we can take Dillinger at his own word as he tells his true love, Billie Frechette, after whisking her away to dine in a high-class restaurant: “That’s ‘cuz they’re all about where people come from.  The only thing that’s important, is where somebody’s going.” 

This conception of “the future” is also referencing the transcendent quality of being human, where our identity is likewise defined in large part by the future, our life projects, and our striving to become a future version of ourselves, however idealized or mythologized that future-self conception may be (I think it’s fair to say Dillinger’s was, to a considerable degree).  The future is a reference to where our society is heading, how our society is becoming increasingly automated, taken over by a celeritously expanding cybernetic infrastructure of control, evolving and expanding in parallel with technology and our internet-catalyzed global interconnectedness.  Our lives are being built upon increasing layers of abstraction as our form of organized life continues to trudge along its chaotic arc of cultural evolution, and we’re losing more and more of our personal freedom as a result of evermore external influences, operating on a number of different levels (socially, politically, technologically), known and unknown, consciously and unconsciously.  In PE, the expanding influences were best exemplified by the media, the mass-surveillance, and of course Hoover’s Bureau and administration, along with the arms race taking place between Dillinger’s crew and the FBI (where the former gave the latter a run for their money).

As Schwartz explains about J. Edgar’s overreach of power: “Hoover’s Bureau is increasingly amoral as it reaches for a kind of Hobbesian, sovereign super control.”  Here of course we get our first glimpse of a noteworthy dualism, namely freedom and control, and the myriad of ways that people corrupt institutions (as Davidson explored in his foreword), though contrary to Davidson’s claim, it seems undeniable to surmise that once an institution has become corrupted by certain people, that institution is more likely to corrupt other individuals, both internally and externally (and thus, institutions do corrupt individuals, not merely the other way around).  If bad ideas are engineered into our government’s structure, our laws, our norms, our capitalist market, or any other societal system, they can seemingly take off on their own, reinforced by the structure itself and the automated information processing that’s inherent to bureaucracies, the media, our social networks, and even inherent to us as individuals who are so often submerged in a barrage of information.

Relating Hoover to the power and influence of the media, Schwartz not only mentions the fact that PE is undoubtedly “conscientious of how media semiotics affect and control people,” but he also mentions a piece of dialogue that stood out to me as well, where FBI Director Hoover (Billy Crudup) just got out of the Congressional Hearing Room, having been chastised by Senator McKellar (Ed Bruce), and he says to his deputy, Clyde Tolson (Chandler Williams): “If we will not contest him in his committee room, we will fight him on the front page,” showing us a glimpse of the present day where news (whether “fake” news or not), and the overall sensationalism of a story is shown to be incredibly powerful at manipulating the masses and profoundly altering our trajectory, one (believed) story at a time.  If you can get somebody to believe the story, whether based on truth or deception, the battle is half won already.  Even Dillinger himself, who’s own persona is wrapped in a cloud of mythology, built up by Hollywood and the media’s portrayal of his life and image, shows us in a very concrete way, just how far deception can get you.

For example, Schwartz reminds us of how Dillinger managed to escape through six doors of Crown Point jail with nothing other than a mock gun made of wood.  Well, nothing but a mock gun and a hell of a good performance, which is the key point here, since the gun was for all practical purposes real.  By the time Dillinger breaks into Warden Baker’s office to steal some Tommy guns before finishing his escape, Warden Baker (David Warshofsky) even says to him “That wasn’t real was it?,” which resonated with the idea of how powerful persuasion and illusion can be in our lives, and maybe indirectly showing us that what is real to us in the ways that matter most is defined by what’s salient to us in our raw experience and what we believe to be true since that’s all that affects our behavior anyway.  The guards believed Dillinger’s mock gun was real, and so it was real, just as a false political campaign promise is real, or a bluffed winning-hand in poker, or any other force, whether operating under the pretenses of honesty or deception, pushing us individually and collectively in one direction or another.

The future is also a reference to Michael Mann’s 2015 cyberthriller Blackhat—a movie that Mann had been building up to, and a grossly underappreciated one at that, with various degrees of its foreshadowing in PE.  This progression and relation between PE and Blackhat is in fact central to Schwartz’s principle aim in OTM:

“My aim in this book is to explore Public Enemies as an extraordinary accomplishment against a backdrop of other digital films, its meditations on the form precipitating Blackhat, Mann’s stunning and widely ignored cyberthriller that converts the movie-house celluloid of its predecessors into a beguiling labyrinth of code that’s colonized the heretofore tangible firmament right under our noses.”

And what an extraordinary accomplishment it is; and fortunately for us we’re in a better position to appreciate it after reading Schwartz’s highly perceptive analysis of such a phenomenal artist.  In PE, the future is essentially projected into the past, which is interesting to me in its own right, since this is also the case with human memory, where we reconstruct our memories upon recall in ways that are augmented by, and amalgamated with, our present knowledge, despite not having such knowledge when the memory itself was first formed.  So too in PE, we see a number of questions posed especially as it relates to the existentialist movement, which hadn’t been well-developed or nearly as influential until some time after the 1930s (especially after WWII, with the advent of existential philosophers including Sartre, Camus, and Heidegger), and as it relates to the critical theory stemming from the Frankfurt School of social research (Marcuse, Adorno, Horkheimer, et al.), neither of which being nearly as pertinent or socially and politically relevant then as they are now in the present day.  And this is where Blackhat becomes decidedly apropos.

So what future world was foreshadowed in PE?  Schwartz describes the world in Blackhat as an utterly subliminal and cybernetic realm: “The world is pattern recognition and automatic information processing, the stuff of advertising.”  Though I would argue that our entire phenomenology is fundamentally based on pattern recognition where our perception, imagination, actions, and even desires are mediated by the models of the world’s causal structure that our brains create and infer through our experiences.  But this doesn’t mean that our general schema of pattern recognition hasn’t been influenced by modernity such that we’ve become noticeably more automated, and where many have seemingly lost their capacity for contemplative reflection and lost the historically less-hindered psychological channel between reason and emotion.  The Blackhat world Schwartz is describing here is one where the way information is being processed is relatively alien to the more traditional conceptions of what it means to be human.  And this cybernetic world is a world where cultural and technological evolution are accelerating far faster than our biological evolution ever could (though genetic engineering has the potential to re-synchronize the two if we dedicate ourselves to such an ambitious project), and this bio-cultural desynchronization has made us increasingly maladapted to the Digital Age we’ve now entered.  Furthermore, this new world has made us far more susceptible to subliminal, corporatocratic and sociopolitical influences, and it has driven us toward an increasing reliance on a cybernetically controlled way of life.

The social relevance of these conceptions makes Blackhat a much-needed lens for fully appreciating our current existential predicament, and as Schwartz says of Mann’s (perhaps unavoidably ironic) digital implementation of this somewhat polemical techno-thriller:

“Conversely, Mann’s embrace of the digital is a paradoxical realization of tactile historical and spatial phenomenology, lucidly picturing an end of identity, while leaping, as through faith, toward the possibility of individuation in nature, free from institutional conscriptions and the negative assignments of cybernetics.”

Schwartz illustrates that concomitant with identity, “… the film prompts us to ask where nature ends and the virtual begins,” though perhaps we could also infer that in Blackhat there’s somewhat of a dissolution of the boundary (or at least a feeling of arbitrariness regarding how the boundary is actually defined) between the real and the virtual, the natural and the artificial, the human and the transhuman.  And maybe each of these fuzzy boundaries implies how best to resolve the contradictions in Mann’s work that Schwartz describes in OTM, with this possible resolution coming about through a process of symbiotic fusion or some kind of memetic “speciation” transitionally connecting what seem to be distinct concepts through a brilliantly structured narrative.

And to take the speciation analogy even further, I think it can also be applied to the changes in filmmaking and culture (including the many changes that Schwartz covers in his tour de force), where many of the changes are happening so gradually that we simply fail to notice them, at least not until a threshold of change has occurred.  But there’s also a punctuated equilibrium form of speciation in filmmaking, where occasionally a filmmaker does something extraordinary in one fell swoop, setting the bar for a new genre of cinema, just as James Cameron arguably did with the heavily CGI-amalgamated world in Avatar (with his planet Pandora “doubling for the future of cinema [itself]…” as Schwartz mentions), and to a somewhat lesser technological extent, in Michael Mann’s PE, where even though the analog to digital leap had already been made by others, “Mann’s distinctly idiosyncratic use of HD cameras rattled viewers with its alien video-ness, explicating to viewers that they were perched on a separate filmic architecture that may require a new way of seeing.”

Similarly in Blackhat, Mann takes us through seamless transitions of multiple scales of both time and space, opening up a window that allows us to see how mechanized and deterministic our modern world is, from the highest cosmological scales, down to cities populated with an innumerable number of complex yet predictable humans, and finally down to the digital information processing schema at the micro and nanotechnological scales of transistors.  Within each perspective level, we fail to notice the causal influences operating at the levels above or below, and yet Mann seamlessly joins these together, showing us a kind of fractal recapitulation that we wouldn’t otherwise fully appreciate.  After reflecting on many of the references to freedom Schwartz posits in OTM, I’ve begun to more seriously ponder over the idea that human freedom is ultimately in the eye of the beholder, dependent on one’s awareness of what is being controlled by another, what is predictable and what isn’t, and one’s perception of what constitutes self-authored behavior or a causa sui formulation of free will.  Once we realize that, at the smallest scales, existence is governed by deterministic processes infused with quantum randomness, it is less surprising to see the same kind of organized, predictable causal structure at biological, sociological, and even cosmological scales.

Aside from Blackhat, Schwartz seamlessly ties together a number of Mann’s other films including Thief, Miami Vice, and my personal favorite, Heat.  There’s also a notable progression or at least an underlying and evolving conceptual structure connecting characters and ideas from one film to the next (above and beyond the transition from PE to Blackhat), as Schwartz eloquently points out, which I see as illustrating how various salient psychological and sociological forces and manifestations are so often reiterated in multiple contexts varying in time and space.  Clearly Mann is building off of his previous work, adapting previous ideas to new narratives, and doing so while continuously trying to use, as Schwartz puts it: “alchemic cinema tools to open a window and transform our perception,” thus giving us a new way to view the world and our own existential status.

An important dynamic that Schwartz mentions, not only as it pertains to Mann’s films, but of (especially well-crafted) films in general, is the notable interplay between the audience and the film or “the image.”  The image changes us, which in turn changes the image ad infinitum, establishing a feedback loop and a co-evolution between the viewer’s interpretation of the film as it relates to their own experiences, and the ongoing evolution of every new cinematic product.  There may be some indoctrinatory danger in this cycle if the movie you’re engaging with is a mass-produced product, since this product is, insofar as it’s mass-produced, deeply connected to “the system”, indeed the very same system trying to capture John Dillinger in PE.  And yet, even though the mass-produced product is a part of the system, and despite its being a cog in the wheel of what we might call a cybernetic infrastructure of control, Schwartz highlights an important potentiality in film viewing that is often taken for granted:

“…The staggering climax inside the Biograph beseeches us to aspire to the images conscientiously, reconciling the mass-produced product with our private histories and elevating the picture and our lives with the media.”

In other words, even in the case of mass-produced cinema, we as viewers stand to potentially gain a valuable experience, and possibly a spiritual or philosophical one at that by our forming a personal relationship with the film, synthesizing the external stimuli with our inner sense of self, coalescing with the characters and integrating them into our own relationships and to ourselves, thus expanding our set of perspectives by connecting to someone “off the map”.  On the other hand, Schwartz also mentions Herbert Marcuse’s views, which aptly describes the inherent problem of art insofar as it becomes a part of “the system”:

“…Herbert Marcuse writes that as long as art has become part of the system, it ceases in questioning it, and thus impedes social change.  Poetic language must transcend the “real” world of the society, and in order to transcend that world it must stand opposed to it, questioning it, quelling us out of it.”

But we need also realize that art will inevitably be influenced by the system, because there are simply too many subliminal or even explicit system-orchestrated ideas that the artist (and everyone else in society) has been instilled with, even if entirely unbeknownst to them.  It seems that the capacity for poetic language to transcend the real world of the society lies in its simply providing any new perspective at all, making use of allegory, metaphor, and the crossing of contextual boundaries, and it can do so even if this new perspective doesn’t necessarily or explicitly oppose some other (even mainstream) perspective.

This is most definitely not to in any way discount Marcuse’s overarching point of how art’s connection to the system is a factor that limits its efficacy in enacting social change and its ability to positively feed the public’s collective stream of consciousness, but merely to point out that art’s propensity for transcending the status quo isn’t entirely inhibited from its unavoidable connection to the system.  And to once again bring us back to the scene in PE where Dillinger is fully absorbing (or being fully absorbed by) his viewing of Manhattan Melodrama in the Biograph theater, Schwartz seems to describe the artistic value of a film as something at least partially dependent on whether or not it facilitates a personal and transcendent experience in any of the viewers:

“Cinema is elevated to a ceremony of transubstantiation where fixed bodies are resurrected through the mercurial alchemy of speed and light, contradicting the consumption we saw earlier during the newsreel.  Dillinger’s connection to cinema is a meditative and private one…”

I think it’s fair to say that, if there’s anything that can elevate our own experience of Mann’s work in particular, and film viewing more generally, Schwartz’s Off the Map is a great philosophical and spiritual primer to help get us there.  Both comprehensive and brilliantly written, Schwartz’s contribution to film scholarship should become required reading for anybody interested in cinema and film viewing.

Irrational Man: An Analysis (Part 3, Chapter 10: Sartre)

In the previous post from this series on William Barrett’s Irrational Man, I delved into some of Martin Heidegger’s work, particularly his philosophy as represented in his most seminal work, Being and Time.  Jean-Paul Sartre was heavily influenced by Heidegger and so it’s fortunate for us that Barrett explores him in the very next chapter.  As such, Sartre will be the person of interest in this post.

To get a better sense of Sartre’s philosophy, we should start by considering what life was like in the French Resistance from 1940-45.  Sartre’s idea of human freedom from an existentialist perspective is made clear in his The Republic of Silence where he describes the mode of human existence for the French during the Nazi German occupation of France:

“…And because of all this we were free.  Because the Nazi venom seeped into our thoughts, every accurate thought was a conquest.  Because an all-powerful police tried to force us to hold our tongues, every word took on the value of a declaration of principles.  Because we were hunted down, every one of our gestures had the weight of a solemn commitment…”

I think we can interpret this as describing the brute authenticity of all the most salient features of our existence that can result in the face of severe forces of oppression.  By living knee-deep in an oppressive atmosphere with little if any libertarian freedom, one may inevitably reevaluate what they consider to be most important; they may exercise a great deal more care in terms of deciding what to think about, what to say, or what to do at any given time; and all of this may serve to make that which is thought about, said, or done, to be far more meaningful and free of the noise and superficiality that usually accompanies our day-to-day goings on.  Putting it this way is not to diminish the heinousness of any kind of violent oppression, but merely to point out that oppression can make one consider every part of their existence with a lot more care and concern, taking absolutely nothing for granted while living in such a precarious position.

And when standing in the face of death day after day, not only is the radical contingency of human existence made more clear than ever, but so is that which is intrinsically most valuable to us:

“Exile, captivity, and especially death (which we usually shrink from facing at all in happier days) became for us the habitual objects of our concern…And the choice that each of us made of his life was an authentic choice because it was made face to face with death, because it could always have been expressed in these terms: “Rather death than…”

This is certainly a powerful way of defining authenticity, or at least setting its upper bound; by saying that you’d rather die than abstain from some particular thought, speech, or action is to make a declaration of what’s truly the most meaningful to any individual given their current knowledge and the conditions of their own existence; and this is true even if their thoughts or actions are immoral or uninformed, for nothing matters other than the fact that one has done so with an unparalleled amount of care and personal significance.

While all of this was going on, the French government and the bourgeoisie were seemingly powerless, undetermined, and incapable of any significant recourse:

“…’Les salauds’ became a potent term for Sartre in those days-the salauds, the stinkers, the stuffy and self-righteous people congealed in the insincerity of their virtues and vices.  This atmosphere of decay breathes through Sartre’s first novel, Nausea, and it is no accident that the quotation on the flyleaf is from Celine, the poet of the abyss, of the nihilism and disgust of that period.  The nausea in Sartre’s book is the nausea of existence itself; and to those who are ready to use this as an excuse for tossing out the whole of Sartrian philosophy, we may point out that it is better to encounter one’s existence in disgust than never to encounter it at all-as the salaud in his academic or bourgeois or party-leader strait jacket never does.”

The sheer lack of personal commitment and passion plaguing so many would certainly help to reinforce a feeling of disgust or even propagate feelings of nihilism and helplessness.  And the kind of superficiality that Sartre perceived around him was (and of course, still is) in so many ways the norm; it’s the general way that people conduct themselves, and not only socially but even personally in the sense that one’s view of themselves and who they ought to be is heavily and externally imposed from collective norms and expectations.

“The essential freedom, the ultimate and final freedom that cannot be taken from a man, is to say No.  This is the basic premise in Sartre’s view of human freedom: freedom is in its very essence negative, though this negativity is also creative.”

This is an interesting conception, thinking of the essence of freedom as having a negative character, although perhaps we can compare this to or analogize this with the general concept of negative liberty (freedom from interference from others) as opposed to positive liberty (having the means and freedom to achieve one’s goals).  Since there are a number of contingencies that can prevent positive liberty from being realized, negative liberty (which could include the freedom to say ‘No’) seems to be the more fundamental or basic of the two.  It makes sense to think of this as the final freedom too, as Sartre does, since physical force and contingency can take away anyone’s ability to do all else, except to say ‘No’ or at the very least to think ‘No’ (in the event that one is coerced to say ‘Yes’).  In other words, one can have a number of freedoms taken away, but nobody can take away your freedom to desire one outcome over another, even if that desire can never be satisfied.

At this point it’s also worth mentioning that Sartre’s writings seem to reflect conflicting views on what constitutes human freedom.  His views on freedom may have changed over the course of his written works or he may just have had two different conceptions in mind.  On the one hand, in his earlier works, he seemed to refer to freedom in an ontological sense, as a property of human consciousness.  In this conception, he seemed to view freedom as the ability of a conscious agent to choose the attitude they hold and how they react toward the circumstances they find themselves in.  This would mean that everybody, even a prisoner held captive, is free insofar as they have the freedom to choose if they’ll accept or resist their situation.  Later on, Sartre began to focus on material freedom, that is, freedom from coercion.  In any case, both of these conceptions of freedom still seem to resonate with the concept of negative liberty mentioned earlier.  The only distinction would be that ontological freedom is the one form of negative liberty that is truly inalienable and final:

“Where all the avenues of action are blocked for a man, this freedom may seem a tiny and unimportant thing; but it is in fact total and absolute, and Sartre is right to insist upon it as such, for it affords man his final dignity, that of being man.”

Along with this equating human freedom with consciousness (or at least with conscious will) is the consideration that consciousness is the only epistemological certainty we have:

“He (Descartes) proposes to reject all beliefs so long as they can in any way be doubted, to resist all temptations to say Yes until his understanding is convinced according to its own light; so he rejects belief in the existence of an external world, of minds other than his own, of his own body, of his memories and sensations.  What he cannot doubt is his own consciousness, for to doubt is to be conscious, and therefore by doubting its existence he would affirm it.  “

Sartre takes this Cartesian position to the nth degree, by constraining his interpretation of human beings with his interpretation of Cartesian skepticism:

“But before this certitude shone for him (Descartes), (and even after it, before he passed on to other truths), he was a nothingness, a negativity, existing outside of nature and history, for he had temporarily abolished all belief in a world of bodies and memories.  Thus man cannot be interpreted, Sartre says, as a solid substantial thing existing amid the plenitude of things that make up a world; he is beyond nature because in his negative capability he transcends it.  Man’s freedom is to say No, and this means that he is the being by whom nothingness comes into being.”

To conclude that one is in fact a nothingness, even within the context of Cartesian doubt is, I think, going a bit too far.  While I can agree that consciousness in many ways transcends physical objects and the kind of essence we ascribe to them, it doesn’t transcend existence itself; and what is a nothingness really other than a lack of existence?

And one can think of consciousness as having some attribute of negativity, in the sense that we can think of things and even think of ourselves as being not this or not that; we can think of our desires in terms of what we don’t want; but I think this quality of negation can only serve to differentiate our conscious will (or perhaps ego) from the rest of our experience.  Since our consciousness can’t negate itself, I don’t think that this quality can negate us such that we become an actual nothingness.

“For Sartre there is no unalterable structure of essences or values given prior to man’s own existence.  That existence has meaning, finally, only as the liberty to say No, and by saying No to create a world.  If we remove God from the picture, the liberty which reveals itself in the Cartesian doubt is total and absolute; but thereby also the more anguished, and this anguish is the irreducible destiny and dignity of man.”

And here we see that common element within existentialism: the idea that existence precedes essence, where human beings are thought to have no inherent essence but only an essence that is derived from one’s own existence and one’s own consciousness.  Going back to Sartre’s conception of human freedom, perhaps the idea of saying No to create a world is grounded on the principle of our setting boundaries or limits to the world we make for ourselves; an idea that I can certainly get behind.

However, even if we remove God from the equation, which is certainly justified from the perspective of Cartesian skepticism, let alone from the lack of empirical evidence to support such a belief, we still can’t get around our having some essential human character or qualities (even if no God existed to conceive of such an essence).  While I agree that of the possible lives that you or I can have, it shouldn’t be up to others to choose which life that should be, nor what its ultimate meaning or purpose is, if we agree that there are a finite number of possible lives to choose from (individually and collectively as a species), given our constraints as finite beings (a thoroughly existential claim at that), then I think we can say that we do have an inherent essence that is defined by these biological and physical limitations.

So I do share Sartre’s view that our lives shouldn’t be defined by others, by social norms, nor defined by qualities found in only some of the possible lives one has access to; but it needs to be said that there are still only a finite number of possible life trajectories which will necessarily exclude some of the possibilities given to other types of organisms, and which will exclude any options that are not physically or logically possible.  In other words, I think human beings do have an inherent essence that is defined to some degree by the possibility space we as a species exist within; we just tend to think of essence as something that has to be well-defined, like some short list of properties or functions (which I think is too limited a view).

“Thus Sartre ends by allotting to man the kind of freedom that Descartes has ascribed only to God.  It is, he says, the freedom Descartes secretly would have given to man had he not been limited by the theological convictions of his time and place.”

And this is certainly a valid point.  What’s interesting to me with respect to the whole Cartesian experiment was that Descartes began by doubting the external world and only by introducing an ad hoc conception of a deity, let alone a benevolent deity, could he trust that his senses weren’t deceiving him.  This is despite the fact that this belief in God would be just as likely to be a deception as any other belief (and so Descartes attempted to solve this problem through invalid circular reasoning).

More to the point however is the fact that we wouldn’t be able to tell the difference between a “real” external world and one that is imagined or illusory (unbeknownst to us) anyway, and so we might as well simply stick with the fewest assumptions that yield the best predictions of future experiences.  And this includes the assumption of our having some degree of human freedom that directs our conscious will and desires; a view of our having some control over what trajectory we take in life:

“He is not subordinate to a realm of essences: rather, He creates essences and causes them to be what they are.  Hence such a God transcends the laws of logic and mathematics.  As His (God’s) existence precedes all essences, so man’s existence precedes his essence: he exists, and out of the free project which his existence can be he makes himself what he is.  “

It’s worth considering the psychological motivations for positing and defining a God that has qualities reminiscent of human creativity and teleological intentionality; that is to say, we often project our human capacity for creation and goal-directedness onto some idealized being conception that accounts for our existence in the same way that we see ourselves as accounting for the existence of any and all human constructs, be they watches, paintings, or entire cities.  We see ourselves giving purpose and functional descriptions to the things we make and then can’t help but ask what our own purposes may be; and if so, then we feel inclined to assume it must be someone other than ourselves that gives us this purpose, finally arriving at a God-concept of some kind.  And lo and behold, throughout history the gods we see in all the religions have been remarkably human with their anger, jealousy, pettiness, impulsiveness, and retributive sense of justice, thus illustrating that gods are made in man’s image as opposed to the contrary.  But this kind of thinking only leads to our diminishing our own degree of personal freedom, bestowing it to a concept instead (whether bestowed to “society” or to a “deity”), and thus it abstracts away our own individuality and responsibility.

Despite the God concept permeating much of human history, we eventually challenged it with the greatest challenges precipitating from the Enlightenment, causing many of us to discover the freedom we had all along:

“When God dies, man takes the place of God.  Such had been the prophecy of Dostoevski and Nietzsche, and Sartre on this point is their heir.  The difference, however, is that Dostoevski and Nietzsche were frenzied prophets, whereas Sartre advances his view with all the lucidity of Cartesian reason and advances it, moreover, as a basis for humanitarian and democratic social action.  To put man in the place of God may seem, to traditionalists, an unspeakable piece of diabolism; but in Sartre’s case it is done by a thinker who, to judge from his writings, is a man of overwhelming good will and generosity.”

And this idea of human beings taking the place of God, is really nothing more than the realization of our having projected qualities that were ours from the very beginning.  This may make some people uncomfortable because they think that by eliminating the God concept, that humans are somehow seeing ourselves as a God; but we still have the same limitations that human beings have always had, with our limited knowledge and our existing in a world with many forces out of our control.  But now we have an added sense of freedom that further empowers us as individuals to do the most we can with our lives and to give our lives meaning on our own terms, rather than having them externally imposed on us (see the previous post on Heidegger, and the concept of Das Man or the “They” self).  Sartre’s appreciation and promotion of this idea is admirable to say the least, as it seeks to preferentially value human beings over ideas, to value consciousness over abstractions, and to maximize each person having a voice that they can call their own.

1.  Being-for-itself and Being-in-itself

“Being-for-itself (coextensive with the realm of consciousness) is perpetually beyond itself.  Our thought goes beyond itself, toward tomorrow or yesterday, and toward the outer edges of the world.  Human existence is thus a perpetual self-transcendence: in existing we are always beyond ourselves.  Consequently we never possess our being as we possess a thing.”

This definitely resonates with Heidegger’s conception of temporality, where our understanding of our world is constrained by our past experiences and is always projecting into the future in terms of our always wanting to become a certain kind of person (even if this vision of our future self changes over time).  And here, Sartre’s conception of Being-for-itself is meant to be contrasted with his concept of Being-in-itself; where the former represents consciousness and the latter non-conscious or unconscious material objects.

As mentioned in my last post, I agree with there being a temporally transcendent quality of consciousness, and I think it can be best explained by the fact that our perception of the world is operating under a schema of prediction: our brains are always trying to predict what will happen next in terms of our sensations and these predictions are what we actually experience (as opposed to sensory information itself), where we experience a kind of controlled hallucination that evolves its modeling in response to any prediction error encountered.  We try to make these perceptual predictions come true and reduce the prediction error by either changing our mental models of the world’s causal structure to better account for the incoming sensory information or through a series of actions involving our manipulating the world in some way or another.

“This notion of the For-itself may seem obscure, but we encounter it on the most ordinary occasions.  I have been to a party; I come away, and with a momentary pang of sadness I say, “I am not myself.”  It is necessary to take this proposition quite literally as something that only man can say of himself, because only man can say it to himself.  I have the feeling of coming to myself after having lost or mislaid my being momentarily in a social encounter that estranged me from myself.  This is the first and immediate level on which the term yields its meaning.”

And here’s where the For-itself concept shows the distinction between our individual self (what Heidegger would likely call our authentic self) and the externalized self that is more or less a product of social norms and expectations stemming from the human collective.

“But the next and deeper level of meaning occurs when the feeling of sadness leads me to think in a spirit of self-reproach that I am not myself in a still more fundamental sense: I have not realized so many of the plans or projects that make up my being; I am not myself because I do not measure up to myself. “

So aside from what society expects of us, we also have our own expectations and goals, many of which that never come into fruition.  Sartre sees this as a kind of comparison where we’re evaluating our current view of ourselves with the more idealized view of ourselves that we’re constantly striving for.  And we can see this anytime we think or say something like “I shouldn’t have done that because I’m better than that…”  We’re obviously not better than ourselves, but it’s because we’re always comparing our perspective to the ideal model we hold of ourselves that we in some sense transcend any present sense of self, and this view allows us to better understand Sartre’s idea that we’re always existing beyond ourselves.

Barrett describes Sartre’s view in more detail:

“Beneath this level too there is still another and deeper meaning, rooted in the very nature of my being: I am not myself, and I can never be myself, because my being stretching out beyond itself at any given moment exceeds itself.  I am always simultaneously more and less than I am.  Herein lies the fundamental uneasiness, or anxiety, of the human condition, for Sartre.  Because we are perpetually flitting beyond ourselves, or falling behind our possibilities, we seek to ground our existence, to make it more secure.”

We might even say that we conjure up a kind of essence of who we are because we’re trying to solidify our existence such that we’re more or less like the objects we interact with in our world.  And we do this through our imagination by projecting our identity into the future, effectively defining ourselves in terms of the person we want to become rather than the person we are now.  However, our imagination is both a blessing and a curse, for it is through imagination that we express our creativity, simulating new worlds for ourselves that we can choose from; but, our imagination is also a means of comparing our current state of affairs to some ideal model, in many cases showing us what we don’t have (yet want) and showing us a number of lost opportunities which can further constrain our future space of possibilities.  Whether we love it or hate it, our capacity for imagination is both the cause and the cure for our suffering; and it is a capacity that is fundamental to our existence as human beings.

“The For-itself struggles to become the In-itself, to attain the rocklike and unshakable solidity of a thing.  But this is can never do so long as it is conscious and alive.  Man is doomed to the radical insecurity and contingency of his being; for without it he would not be man but merely a thing and would not have the human capacity for transcendence of his given situation.”

It seems then that our projection into the future, equating our self-hood with some preconceived future self, not only serves as an attempt to objectify our subjectivity, but it may also be psychologically motivated by the uncertainty that we recognize in both our short-term and long-term lives.  We feel uncomfortable and anxious about the contingency of our lives and the sheer number of possible future life trajectories, and so we conceptualize one path as if it were a fixed object and simply refer to it as “me”.

“With enormous ingenuity and virtuosity Sartre interweaves these two notions-Being-in-itself and Being-for-itself-to elucidate the complexities of human psychology.”

Sartre’s conception of Being-in-itself and Being-for-itself are largely grounded on the distinction between consciousness and that which is not conscious.  On the surface, it looks like merely another way of expressing the distinction between mind and matter, but the distinction is far more nuanced and complex.  Being-for-itself is defined by its relation to Being-in-itself, where, for Sartre, Being-for-itself is, among other things, in a constant state of want for synthesis with Being-in-itself, despite the fact that Being-for-itself involves a kind of knowledge that it is not in-itself.  Being-for-itself is in a constant state of incompleteness, where a lack of some kind permeates its mode of being; it’s constantly aware of what it is not, and whatever it may be, lacking any essential structure to build off of, is created out of nothingness.  In other words, Being-for-itself creates its own being with a blank canvas.

As I mentioned above, I don’t particularly agree with Sartre’s conception here, that we as conscious human beings create our being or our essence with a blank canvas, as there are (to stick with the artistic analogy) a limited number of ways that the canvas can be “painted”, there are a limited number of existential “colors” to work with, and while the future may be undetermined or unpredictable to some degree, this doesn’t mean that any possible future that comes to mind can come into being.  As human beings that have evolved from other forms of life on this planet, we have a number of innate or biologically-constrained predispositions including: our instincts and basic behavioral drives, the kinds of conditioning that actually work to modify our behavior, and a psychology that can only thrive within a finite range of behavioral and environmental conditions.

I see this “blank canvas” analogy as just another version of the blank slate or tabula rasa model of human knowledge within the social sciences.  But this model has been falsified with findings in behavioral genetics, psychology, and neurobiology, where various forms of evidence have shown that human beings are pre-wired for social interaction, and have genetically dependent capacities such as intelligence, memory, and reason.  And even taking into account the complicated relation between genes and environment, where the expression of the former is dependent on the latter, we still have environmental conditions that are finite, contingent, externally imposed, and which drastically shape our behavior whether we realize it or not.

On top of this, as I’ve argued elsewhere, we don’t have a libertarian form of free will either, which means that if we could go back in time to some set of initial conditions (where we had made a conscious choice of some kind, and perhaps a significant life altering choice at that), we wouldn’t be able to choose an alternative course of action, barring any quantum randomness.  This doesn’t mean that we can’t still make use of some compatibilist conceptions of free will, nor does it mean that we shouldn’t be held accountable for our actions, as these are all important for maintaining effective behavioral conditioning; but it does mean that we don’t have the kind of blank canvas that Sartre had envisioned.

The role that nothingness plays in Sartre’s philosophy goes beyond the incompleteness resulting from a self that is in some sense defined by our projection into the future.

“The Self, indeed, is in Sartre’s treatment, as in Buddhism, a bubble, and a bubble has nothing at its center. (but not nihilism)…For Sartre, on the other hand, the nothingness of the Self is the basis for the will to action: the bubble is empty and will collapse, and so what is left us but the energy and passion to spin that bubble out?”

I can certainly see some parallels between Buddhism and Sartre’s conception of the Self, where, for example, the fact that we lack a persistent identity, instead having a mode of being that’s dynamic and based on a projection into an uncertain future, is analogous to or at least consistent with the Buddhist conception of the Self being a kind of illusion.  I also tend to agree with the basic idea that we don’t have any ultimate control or ownership over our thoughts and feelings even if we feel like we do from time to time, and our experiences seem to be just one infinitesimal, fleeting moment after another.  Our attention and behavior are absorbed and shaped by the world around us, and it’s only when we fixate or identify ourselves as a concept, a thought, or a feeling, or a certain combination of these elements, that we conjure up a seemingly objective and essential sense of Self.  While Sartre’s philosophy appears to grant us a greater level of free will and human freedom than that of Buddhist thought, it’s this essential self, this eternal self or identity, interrelated with the concept of a permanent soul that both Sartre and Buddhism reject.

“Man’s existence is absurd in the midst of a cosmos that knows him not; the only meaning he can give himself is through the free project that he launches out of his own nothingness.”

This is one of the core ideas in existentialism, and also in Sartre’s own work, that I most appreciate: the idea that we (have to) give our own lives their meaning and purpose, as opposed to their being externally imposed on us from a religion, a deity (whether real or imagined), a culture, or any other source aside from ourselves, if we’re to avoid submitting the core of our being to some kind of authoritarian tyranny.

Human beings were not designed for some particular purpose, aside from natural selection having “designed” us for survival, and perhaps a thermodynamic argument could be made that all life serves the “purpose” of generating more entropy than if our planet had no life at all (which means that life actually speeds up the inevitable heat death of the universe).  But, because our intelligence and the kind of consciousness we’ve gained through evolution grants us a kind of open-ended creativity and imagination, with technology and cultural or memetic evolution effectively superseding our “selfish genes”, we no longer have to live with survival as our primary directive.  We now have the power to realize that our existence transcends our evolutionary past, and we have the ability to define ourselves based on our primary goals in life, whatever they may be, given the constraints of the world we find ourselves born into or embedded within at the present moment.  And it’s this transcendent quality that we find in a lot of Sartre’s work.

“He (Sartre) misses the very root of all of Heidegger’s thinking, which is Being itself.  There is, in Sartre, Being-for-itself and Being-in-itself but there is no Being…Sartre has advanced as the fundamental thesis of his Existentialism the proposition that existence precedes essence.  This thesis is true for Heidegger as well, in the historical, social, and biographical sense that man comes into existence and makes himself to be what he is.  But for Heidegger another proposition is even more basic than this: namely, Being precedes existence.”

In contrast with Sartre then, with Heidegger we see an ontological requirement for Being itself, prior to even having the possibility for Sartre’s distinction between Being-for-itself and Being-in-itself.  That is to say, these kinds of distinctions would, for Heidegger at least, require a more basic field of Being within which one may be able to posit distinctive types of Being.  It would seem that some ultimate region of Being would be necessary in order for the transcendent quality of consciousness to manifest in any way whatsoever:

“To be sure, Sartre has gone a considerable step beyond Descartes by making the essence of human consciousness to be transcendence: that is, to be conscious is, immediately and as such, to point beyond that isolated act of consciousness and therefore to be beyond or above it…But this step forward by Sartre is not so considerable if the transcending subject has nowhere to transcend himself: if there is not an open field or region of Being in which the fateful dualism of subject and object ceases to be.”

One might also wonder how this all fits in with the question of how a conscious subject can ever truly know an object in its entirety.  For example, Kant believed that any object in itself, which he referred to more generally as the noumenon (as opposed to the phenomenon, the object as we perceive it), was inherently unknowable.  Nietzsche thought that it didn’t matter whether or not we could know the object in itself, if such an inaccessible realm of knowledge pertaining to any object even existed in the first place.  Rather, he thought the only thing that mattered was our ability to master the object, to manipulate it and use it according to our own will (the will to power).  For Sartre, the only thing that really mattered was the will to action, which was primarily a will to some form of revolutionary action, so he doesn’t really address the problem of knowledge with respect to the subject truly knowing some object or other (nor does he specify whether or not there even is any problem, at least within his seminal work Being and Nothingness).

Heidegger was less concerned with this issue of knowledge and was more concerned with grounding the possibility of there being a subject or object in the first place:

“For what Heidegger proposes is a more basic question than that of Descartes and Kant: namely, how is it possible for the subject to be? and for the object to be?  And his answer is: Because both stand out in the truth, or un-hiddenness, of Being.  This notion of truth of Being is absent from the philosophy of Sartre; indeed, nowhere in his vast Being and Nothingness does he deal with the problem of truth in a radical and existential way: so far as he understands truth at all, he takes it in the ordinary intellectualistic sense that has been traditional with non-existential philosophers.  In the end (as well as at his very beginning) Sartre turns out thus to be a Cartesian rationalist-one, to be sure, whose material is impassioned and existential, but for all that not any less a Cartesian in his ultimate dualism between the For-itself and the In-itself.”

I don’t think it’s fair to label Sartre a Cartesian rationalist as Barrett does here, since Sartre seems to actually depart from Descartes’ form of rationalism when it comes to evaluating the overall structure of consciousness.  And there doesn’t seem to be any ultimate dualism between Being-for-itself and Being-in-itself either, if the former is instantiated or experienced as a kind of negation of the latter.  Perhaps if Sartre had used the terms Being-in-itself and not-Being-in-itself, this would be made more clear.  In any case, it’s not as if these two instantiations of being need be separate substances, especially if, as Sartre says in Being and Nothingness, that:

“The ontological error of Cartesian rationalism is not to have seen that if the absolute is defined by the primacy of existence over essence, it cannot be conceived as a substance.”

So at the very least, it seems mistaken to say that Sartre is a substance dualist given his position on existence preceding essence, even if he may be adequately described as some kind of property dualist.

“But, again like every humanism, it leaves unasked the question: What is the root of man?  In this search for roots for man-a search that has, as we have seen, absorbed thinkers and caused the malaise of poets for the last hundred and fifty years-Sartre does not participate.  He leaves man rootless.”

Sartre may not have explicitly described any kind of truth for man that wasn’t a truth of the intellect, unlike Heidegger who had his conception of the truth of Being, but Sartre did also describe a pre-reflective aspect of consciousness that didn’t seem to be identified as either the subject nor anything about the subject.  There’s a mysterious aspect of consciousness that’s simply hard to pin down, and it may be the kind of ethereal concept that one could equate with some kind of pre-propositional realm of Being.  This may not be enough to say that Sartre, in the end, leaves us rooted (so to speak), but it seems to be a concept that implicitly pulls his philosophy in that direction.

2. Literature as a Mode of Action

Sartre places a lot of importance on literature as a means of expressing the author’s freedom in a way that depends on an interaction with the freedom of the reader.

“…the perfect example of what he believes a writer should do and what he himself tries to do in his own later fiction: that is, grapple with the problems of man in his time and milieu.”

As mentioned earlier in this post, Sartre’s personal experience during the time of the French Resistance colored his written works with an imperative to assert humanity’s radical freedom and did so in relation to the historical developments that affected the masses, the working class, and the oppressed.

“It is always to the idea, and particularly the idea as it leads to social action, that Sartre responds.  Hence he cannot do justice, either in his critical theory or in his actual practice of literary criticism, to poetry, which is precisely that form of human expression in which the poet-and the reader who would enter the poet’s world-must let Being be, to use Heidegger’s phrase, and not attempt to coerce it by the will to action or the will to intellectualization.  The absence of the poet in Sartre, as a literary man, is thus another evidence of what, on the philosophical level, leads to a deficiency in his theory of Being.”

And though Sartre may not be any kind of poet, that doesn’t mean his work doesn’t have some of the subjective, emotionally charged character that one finds in poetry.  But, Barret’s point is well taken as Sartre’s works don’t have the kind of aesthetic quality, the irrationality, nor do they make as much use of metaphor, as the majority of popular poets have.

“In discharging his freedom man also wills to accept the responsibility of it, thus becoming heavy with his own guilt.  Conscience, Heidegger has said, is the will to be guilty-that is, to accept the guilt that we know will be ours whatever course of action we take.”

Freedom and responsibility clearly go hand in hand for Sartre (and for Heidegger as well), and this very basic idea makes sense from the perspective that if one believes themselves to be free, then they must necessarily accept that they own their actions insofar as they were done freely.  As for conscience, rather than Heidegger’s conception of the will to be guilty, I’d prefer to describe it as simply a manifestation of our perception of both responsibility and duty, although one can also aptly describe conscience as a product of evolution that tends to produce in us a more pro-social set of behaviors.

The tendency for many to try and absolve themselves of their freedom, by submitting themselves to the conception of self that society or others draw up for them is addressed in Sartre’s 1944 French play No Exit.  In this play, the three main characters find themselves in Hell, being punished in a way that is analogous to that of Dante’s Inferno, in this case taunted by a symbol representing the inauthentic or superficial way they lived their lives:

“Having practiced “bad faith” in life-which, in Sartre’s terms, is the surrendering of one’s human liberty in order to possess, or try to possess, one’s being as a thing-the three characters now have what they had sought to surrender themselves to.  Having died, they cannot change anything in their past lives, which are exactly what they are, no more and no less, just like the static being of things…But this is exactly what they long for in life-to lose their own subjective being by identifying themselves with what they were in the eyes of other people.”

By defining ourselves in any essential or fixed way, for example, by defining ourselves based on the unchangeable past (as all its features are indeed fixed), we lose the freedom we’d have if our identity had been directed toward the uncertain future and the possible goals and projects contained therein.  In this case with No Exit, the characters were defining themselves based on the desires and expectations of society or at least of several members of society that these patrons of Hell deemed high in status or social clout.

And going back to the relation between freedom and responsibility, we can see how one can try and rid themselves of responsibility by holding an attitude that they have no freedom regarding who they are or what they do, that they must do what it is they do (perhaps because society or others “say so”, although it may be other reasons).  This can be a slippery thing to contemplate however, when we consider different conceptions of free will.

While it’s technically true that we don’t have any kind of causa sui free will (since it’s logically impossible to have this in a deterministic or random/indeterministic world), it’s still useful to conceive of our having a kind of freedom of the will that distinguishes between animals or people that have varying degrees of autonomy.  This is similar to the conception of free will that a court of law uses, to distinguish between instances of coercion or not being of sound mind and that of conscious intentions made with a reasonable capacity for evaluating the legality or consequences off those intentions.

It’s also important to account for the fact that we can’t predict all of our own actions (nor the actions of others), and so there’s also a folk psychological concept of free will implied by this uncertainty.  Most of these conceptions are psychologically useful, they play a positive role in maintaining the efficacy of our punishment reward systems, and overall they resonate with how we lives our lives as human beings.

In general then, I think that Sartre’s conception of tying freedom and responsibility together jives with our folk psychological conceptions of free will, and it serves a use for promoting a very functional and motivating way to live one’s life.

“As a writer Sartre is always the impassioned rhetorician of the idea; and the rhetorician, no matter how great and how eloquent his rhetoric, never has the full being of the artist.  If Sartre were really a poet and an artist, we would have from him a different philosophy…”

Although Barrett seems to be pigeonholing artists to some degree here (which isn’t entirely fair to Sartre), it’s true that what we find in Sartre’s written works are not artistic in any traditional or classical sense.  Even so, I think it’s fair to say that postmodern art has benefited from and been influenced by the works of many great thinkers including Sartre.  And the task of the artist is often informing us of our own human condition in its particular time and place, including many aspects of that condition that aren’t typically talked about or explicitly in our stream of consciousness.  Sartre’s works, both written and performed, did just that; they informed us of our modern condition and of a number of interesting perspectives of our own human psychology, and they did so in a thoroughly existential way.  Sartre was an artist then, in my mind at least.

3. Existential Psychology

“Behind all Sartre’s intellectual dialectic we perceive that the In-itself is for him the archetype of nature: excessive, fruitful, blooming nature-the woman, the female.  The For-itself, by contrast, is for Sartre the masculine aspects of human psychology: it is that in virtue of which man chooses himself in his radical liberty, makes projects, and thereby gives his life what strictly human meaning it has.”

And here some of the sexist nuances, both explicitly and implicitly in the minds of Sartre and his contemporaries, starts to become apparent.  The idea that nature has more of a female character is certainly far more justifiable and sensible because females are the only sex giving birth to new life and continuing the cycle, but the idea that the male traits subsume the human qualities of choice, freedom, and worthwhile projects, is one resulting from historical dominance hierarchies, which were traditionally patriarchal or androcentric.  But modern human life has illustrated this to be no longer applicable to humans generally.  In any case, we can still use traditional archetypes that make use of this kind of sexual categorization, as long as we’re careful to avoid taking those archetypes too seriously in terms of influencing an essentialist view of the human sexes and what our roles in society ought to be.

“The essence of man…lies not in the Oedipus complex (as Freud held) nor in the inferiority complex (as Adler maintained); it lies rather in the radical liberty of man’s existence by which he chooses himself and so makes himself what he is.”

And this of course is just a reiteration of the Sartrean existence precedes essence adage, but it’s interesting to see that Sartre seems to dismiss much of modern psychology, evolutionary psychology and any role for nature or innate predispositions in human beings.  One may wonder as well how humans can be free of traditional essentialism in Sartre’s mind while at the same time he assumes some kinds of roles or archetypes that are essentially male and female.  I don’t think we can avoid essentialism in its entirety, even if the crux of Sartre’s existential adage is valid.  And I don’t think Sartre avoids it either, even if he tries to.

“Man is not to be seen as the passive plaything of unconscious forces, which determine what he is to be.  In fact, Sartre denies the existence of an unconscious mind altogether; wherever the mind manifests itself, he holds, it is conscious.”

I’m not sure if Sartre’s denial of an unconscious mind is just a play on semantics (i.e. he’s defining “mind” exclusively as the neurological activity that directly leads to consciousness) or if he truly rejected the idea that there were any forces motivating our behavior that weren’t explicit in our consciousness.  If the latter is true, then how does Sartre account for marketing strategies, cognitive biases, denial, moral intuition, and a host of other things that rely on or operate under psychological predispositions that are largely unknown to the person who possesses them?  The totality of our behavior simply can’t be accounted for without some form of neurological processing happening under the radar (so to speak), which serves some psychological purpose.

“A human personality or human life is not to be understood in terms of some hypothetical unconscious at work behind the scenes and pulling all the wires that manipulate the puppet of consciousness.  A man is his life, says Sartre; which means that he is nothing more nor less than the totality of acts that make up that life.”

This is interesting when viewed through the lens of the future, our intended projects, and the kind of person we may strive to be.  It seems that in order for this excerpt above to be correct, according to Sartre’s (and perhaps Heidegger’s) own reasoning, that we’d have to include our intentions and goals as well; we can’t simply look at the facticity of our past, but must also look at how the self transcends into the future.  And although Sartre or others may not want to identify themselves with some of the forces operating in their unconscious, the fact of the matter is, if we want to be able to predict our own behavior and that of others as effectively as possible, then we have no choice but to make use of some concept of an unconscious mind, unconscious psychology, etc. It may not be the primary way we ought to think of ourselves, but it’s an important part of any viable model of human behavior.

Analogously, one may say that they don’t want to be identified with their brain (“I am not my brain!”), and yet if you asked them if they’d rather have a brain transplant or a body transplant (say, everything below the neck), they would undoubtedly choose the latter.  Why might this be so?  An obvious answer is because their entire personality, all that they value, believe, and know, is all made manifest in the structure of their brain.  Now we may see a brain on a table and have difficulty equating it with a person, and yet we can have an entire human body, only lacking a brain, and we have no person at all.  The only additional thing needed for personhood is that brain lying on the table, assuming it is a brain inherently capable of instantiating a personality, consciousness, etc.

Another aspect of Sartrean psychology is the conception of how the Other (some other conscious self) views us given the constraints of consciousness and our ability to see another person from that person’s own subjective point of view:

“This relation to the Other is one of the most sensational and best-known aspects of Sartre’s psychology.  To the other person, who look at me from the outside, I seem an object, a thing; my subjectivity with its inner freedom escapes his gaze.  Hence his tendency is always to convert me into the object he sees.  The gaze of the Other penetrates to the depths of my existence, freezes and congeals it.  It is this, according to Sartre, that turns love and particularly sexual love into a perpetual tension and indeed warfare.  The lover wishes to possess the beloved, but the freedom of the beloved (which is his or her human essence) cannot be possessed; hence, the lover tends to reduce the beloved to an object for the sake of possessing it.”

I think this view has merit and has a lot to do with how our brains make simplistic or heuristic models of the entities and causal structure we perceive around us.  Although we can recognize that some of those other entities are subjective beings such as ourselves, living with the same kinds of intrinsic conscious experiences that we do, it’s often easier and more automatic to treat them as if they were an object.  We can’t directly experience another person’s subjectivity, which is what makes it so easy to escape our attention and consideration.  More to the point though, Sartre was claiming how this tendency to objectify another penetrates many facets of our lives, introducing a source of conflict with our relations to one another.  Ironically, this could also be described as something we do unconsciously, where we don’t explicitly say to ourselves “this person is an object,” but rather we may explicitly see them as a person and yet treat them as an object in order to serve some implicit psychological goal (e.g. to feel that you possess your significant other).

“He is right to make the liberty of choice, which is the liberty of a conscious action, total and absolute, no matter how small the area of our power: in choosing, I have to say No somewhere, and this No, which is total and totally exclusive of other alternatives, is dreadful; but only by shutting myself up in it is any resoluteness of action possible.  “

Referring back to the beginning of this post, regarding the liberty of choice (in particular a kind of negative liberty) as the ultimate form of human freedom, we can also describe the choices we make in terms of the alternative choices we had to say no to first.  We can see our ability to say no as a means of creating a world for ourselves; a world with boundaries delineating what is and isn’t desired.  And the making of these choices, the effect that each choice has, and the world we create out of them are things that we and we alone own.  Understandably then, once this freedom and responsibility are recognized, they lead to our experiencing a kind of dread, anxiety, and perhaps a feeling of being overwhelmed by the sheer space of possibilities and thus overwhelmed by the number of possibilities that we have to willfully reject:

“A friend of mine, a very intelligent and sensitive man, was over a long period in the grip of a neurosis that took the form of indecision in the fact of almost every occasion of life; sitting in a restaurant, he could not look at the printed menu to choose his lunch without seeing the abyss of the negative open before his eyes, on the page, and so falling into a sweat…(this story) confirms Sartre’s analysis of freedom, for only because freedom is what he says it is could this man have been frightened by it and have retreated into the anxiety of indecision.”

This story also reminded me of the different perspectives that can result depending on whether one is a maximizer or a sufficer: the maximizer being the person who tries to exhaustively analyze every decision they make, hoping to maximize the benefits brought about by their careful decision-making; and the sufficer being the person who is much more easily pleased, willing to make a decision fairly quickly, and not worry about whether their decision was the best possible so much as whether it was simply good enough.  On average, maximizers are far less happy as well, despite the care they take in making decisions, simply because they fret over whether the decision they landed on was really best after all, and they tend to enjoy life less than sufficers because they’re missing many experiences and missing the natural flow of those experiences as a result of their constant worrying.  The maximizer concept definitely fits in line with Sartre’s conception of the anxiety of choice brought about by the void and negation implicit in decision making.

I for one try to be a sufficer, even if I occasionally find myself trying to maximize my decision making, and I do this for the same reason that I try to be an optimist rather than a pessimist: people live happier and more satisfying lives if they try and maintain a positive attitude and if they aren’t overly concerned with every choice they make.  We don’t want to make poor decisions by making them in haste or without any care, but we also don’t want to invest too many of our psychological resources in making those decisions; we may end up at the end of our lives realizing that we’ve missed out on a good life.

“…the example points up also where Sartre’s theory is decidedly lacking: it does not show us the kind of objects in relation to which our human subjectivity can define itself in a free choice that is meaningful and not neurotic.  This is so because Sartre’s doctrine of liberty was developed out of the experience of extreme situations: the victim says to his totalitarian oppressor, No, even if you kill me; and he shuts himself up in this No and will not be shaken from it.”

I agree with Barrett entirely here.  Much of Sartre’s philosophy was developed out of an experienced oppression under the threat of violence, and this quality makes it harder to apply to an everyday life that’s not embroiled with tyranny or fascism.

“…But he who shuts himself up in the No can be demoniacal, as Kierkegaard pointed out; he can say No against himself, against his own nature.  Sartre’s doctrine of freedom does not really comprehend the concrete man who is an undivided totality of body and mind, at once, and without division, both In-itself and For-itself; but rather an isolated aspect of this total condition, the aspect of man always at the margin of his existence.”

I think the biggest element missing from Sartre’s conception of freedom or from his philosophy generally is the evolutionary and biologically grounded aspects of our psychology, the facts pertaining to our innate impulses and predispositions, our cognitive biases and other unconscious processes (which he outright denied the existence of).  This makes his specific formula of existence preceding essence far less tenable and realistic.  Barrett agrees with some of this reasoning as well when he says:

“Because Sartre’s psychology recognizes only the conscious, it cannot comprehend a form of freedom that operates in that zone of the human personality where conscious and unconscious flow into each other.  Being limited to the conscious, it inevitably becomes an ego psychology; hence freedom is understood only as the resolute project of the conscious ego.”

Indeed, the human being as a whole includes both the conscious and unconscious aspects of ourselves.  The subjective experience that defines us is a product of both sides of our psyche, not to mention the interplay of the psyche as a whole with the world around us that we’re intimately connected to (think of Heidegger’s field of Being).

The final point I’d like to bring up regarding Sartre is in regard to his atheism:

“It has been remarked that Kierkegaard’s statement of the religious position is so severe that it has turned many people who thought themselves religious to atheism.  Analogously, Sartre’s view of atheism is so stark and bleak that it seems to turn many people toward religion.  This is exactly as it should be.  The choice must be hard either way; for man, a problematic being to his depths, cannot lay hold of his ultimate commitments with a smug and easy security.”

It’s understandable that most people gravitate toward religion because of the anxiety and fear that can accompany a worldview where one has to take on the burden of making meaning for their own lives rather than having someone else or some concept “decide” this for them.  Additionally, the fear of being alone, the fear of death, the fear of having a precarious existence generally throughout our lives and also given the fact that we live in an inhospitable universe where life appears to occupy a region in space comparable to the size of a proton within a large room.

All of these reasons lend themselves to reinforcing a desire for a deity and for a narrative that defines who we ought to be, so we don’t have to decide this for ourselves.  Personally, I don’t think one can live authentically with these kinds of world views, nor is it morally responsible to live life with belief systems that inhibit the ability to distinguish between fact and fiction.  But I still understand that it’s far more difficult to reject the comforts of religion and face the radical contingencies of life and the burden of choice.  I think people can live the most fulfilling lives in the most secure way only when they have a reliable epistemology in place and only when they take the limits of human psychology seriously.  We need to understand that some ways of living, some attitudes, some ways of thinking, etc., are better than others for living sustainable, fulfilling lives.

Sartre’s atheistic philosophy is certainly bleak, but his does not represent the philosophy of atheists.  My atheistic philosophy of life, for example, takes into account the usefulness of multiple descriptions (including holistic descriptions) of our existence; the recognition of our desire to connect to the transcendent; the need for morality, meaning, and purpose; and the need for emotional channels of expression.  And regardless of it’s bleakness, Sartre’s philosophy has some useful ideas, and any philosophy that’s likely going to be successful will gather what works from a number of different schools of thought and philosophies anyway.

Well, this concludes the post on Jean-Paul Sartre (Ch. 10), and ends part 3 of this series on William Barrett’s Irrational Man.  The last and final post in this series is on part 4, Integral vs. Rational Man, which consists of chapter 11, the final chapter in Barrett’s book, The Place of the Furies.  I will post the link here when that post is complete.

Irrational Man: An Analysis (Part 2, Chapter 6: “The Flight From Laputa”)

In the last post in this series on William Barrett’s Irrational Man, we looked at some of the Christian sources of existentialism within the Western Tradition, from the contributions of Christian authors like Tertullian, to the works of Christian theologians like Augustine and Pascal.  There are a lot of other writers as well, particularly a number of poets and novelists that existed during, and shortly after, the Age of Enlightenment, which all had a substantial impact on existentialism.  In this chapter, Barrett mentions several of these writers, many putting out a number of literary works throughout the period of Romanticism and also the two most prolific Russian authors, Dostoyevsky and Tolstoy, who wrote their most influential works in the mid to late 19th century.

Barrett opens up this chapter with some brilliant commentary on Jonathan Swift’s most famous book, the English classic Gulliver’s Travels.  He brings our attention to a particular episode in that book, namely the unforgettable voyage to Laputa: a large island that hovers above the earth, floating and navigating in the sky through the use of an enormous magnet and earth’s own magnetic field.  Once Gulliver is shipwrecked and brought up to the island, he finds the people living there to be incredibly strange-looking and also behaving in some odd ways.  One particularly creepy detail is the fact that the people don’t ever focus on the eyes of the person they are speaking with; instead they have one eye turned upward toward the sky, as if in some kind of perpetual contemplation of the cosmos; and the other eye points inward as if in some kind of perpetual introverted state.  Their foods are cut into a variety of geometric shapes and their clothes are rather ill-fitting garments resulting from a tailoring process that relies exclusively on strict geometries, and they are decorated with shapes of the sun, moon, stars, and a plethora of musical instruments.

Swift’s intention here was to create an imaginary world that was a kind of manifestation of reason incarnate, where the inhabitants have completely structured their lives around reason and are lost in a perpetual state of mental abstraction and disconnectedness.  To further solidify the intended historically-relevant metaphor, we’re also told about the ordinary earth dwellers living below the Laputans, who also happen to be subject to the ruling of the Laputans living overhead.  And these ordinary earth-dwellers are described as being far happier than their Laputan rulers for a number of reasons.  The Laputans are unable to have a normal human conversation nor have the interpersonal emotional connection that may accompany such an interaction, because these absent-minded intellectuals have almost completely lost any sense of who’s around them at the moment, requiring constant reminders from servant-boys about when it is time to talk or to listen (as the case may be) lest they might slip away into some kind of philosophical speculation in mid-conversation.  So despite the Laputans standing on a pedestal of superiority, perhaps implied metaphorically by their floating on an island “above” everyone else (which may also be a metaphor for their lack of grounding in Being or in being fully human), they seem to be missing a core part of their humanity.

Clearly we are meant to be given a description of a world showing how reason is insufficient to fulfill many of our psychological needs as human beings; and its blatant lack of emotional expression, interpersonal relationships, and, for lack of a better word any “organic” form or structure at all, has been fueled by some kind of post-Enlightenment belief that reason can fix all of mankind’s problems.  We’re also meant to see how the resulting cultural sterilization brought on by reason (such as that within Laputa) has created an aversion to such a mode of living for many, such that some people begin to seek out passion any way that they can get it (for better or worse):

“The men and movements of which it does stand as a prediction will find themselves at times in the desperate quandary of the prime minister’s wife, ready to throw themselves into the arms of a drunken footman if that is the only way out of the sterile kingdom of reason.  In the search for the Dionysian, after all, one cannot always be expected to be bound by good taste.”

Here, I believe Barrett’s brief reference to the Apollonian-Dionysian dichotomy to be paramount to understanding the historical-cultural impetus underlying the clash between reason and emotion, and ultimately between rationalism and existentialism.  By creating an imbalance in this dichotomy, for example by not giving enough resources or importance in finding a means of “Dionysian expression” in a society, a kind of tension begins to build up until the proverbial “bubble” bursts and the Dionysian portion of our being is over-expressed leading to another imbalance albeit one going the other way.  As much as one would hope to be able to prevent this kind of explosive feedback, it may be the case that we’re not able to sense an imbalance of this sort until it’s become so drastic that a violent outburst (or an overcompensation of some kind) is the only way to tip the scales back to equilibrium.

Then again, perhaps the signs of an imbalance are always there and we just need to look a bit more closely at how our culture is expressing itself (and not just at a superficial level).  We ought to look closer at the artists, the writers, and the changes occurring to how our identities are shaped compared to those of the preceding generations.  As an example, one sign of this imbalance in the post-Enlightenment Western world, furthering existential development, was exemplified very powerfully by the artistic works of the romantics, which Barrett explores in this chapter.

1.  The Romantics

“However we choose to characterize Romanticism-as a protest of the individual against the universal laws of classicism, or as the protest of feeling against reason, or again as the protest on behalf of nature against the encroachments of an industrial society-what is clear is that it is, in every case, a drive toward that fullness and naturalness of Being that the modern world threatens to let sink into oblivion.”

This characterization of romanticism reminds me of an important theme that I mentioned in my last post, and one that I think is absolutely worth reiterating here; namely, what I call the desynchronization between our cultural and biological evolution.  This fact is, as I see it anyway, the simplest way of describing and explaining the psychological motivations for the advent of existentialism.  Industrialization, mass production, capitalism, and the maximization of efficiency have led to a world that is entirely alien to the one we evolved within.  And again, it would be entirely surprising if we found ourselves living in the modern world without these existential problems.

The fruits of modernity as well as the plethora of super-normal stimuli that have precipitated from our technology have in some sense fooled our brains over the course of many generations such that our evolutionarily-endowed strategies for survival have inadvertently led us to the psychologically inhospitable world we now live in.  Our situation is analogous to a group of people having made incredible strides in a field like chemistry such that they are now able to refine, purify, and concentrate chemicals like never before; but eventually a product like heroin is created which ends up consuming the lives of the people living in that world, drastically diminishing their happiness, and yet the attraction to the drug has already taken hold of their way of life, inclining them to make ever more powerful versions of these drugs eventually leading to their own self-destruction.

Similarly, we’ve gained a lot of amenities and a vast power of manipulating our environment through the use of reason.  It has allowed us to discover more facts about the world than ever before, in turn enabling us to make technological gains at an exponential rate, perhaps leading to our getting lost in the novelty and the positive changes made to our standards of living.  But once this genie was let out of the bottle, a runaway situation occurred where the benefits we were paying attention to distracted us from the fact that it was also generating and exacerbating a psychological imbalance.

I believe our best chance of resolving this problem is going to rely on a combination of genetically engineering our species to feel better-adapted to our ever-changing culture and by restructuring the world in ways that better resonate with our evolutionary environmental niche, and yet still do so in ways that are technologically innovative so as to not take a huge step backward in the amenities that modernity has provided us.

In looking at some of the poets that had a distaste for much of modernization, Barrett mentions the poet William Blake:

“Blake is recognized easily enough as the poet against the industrial revolution…”The atoms of Democritus, And Newton’s particles of light, Are sands upon the Red sea shore, Where Israel’s tents do shine so bright.”

This excerpt is from Blake’s Mock on, Mock on, Voltaire, Rousseau”, a poem written by Blake that appears to be more or less a defense of his religious views against those of science generally, rather than a protest against the industrial revolution specifically.  In this poem, he seems to suggest that any mockery of faith and religion such as that originating from Enlightenment thinkers like Voltaire and Rousseau is somewhat of an exercise of futility as the society is largely unwilling to accept their ideas anyway.  And the mechanistic ideas espoused by brilliant scientific thinkers such as Democritus and Newton are small and insignificant compared to the breadth and power of religion and the belief in God, let alone the belief in God as the Creator that subsumes any paltry discoveries that man might make.

Another way to interpret this poem is to say that Blake is simply emphasizing the importance of using imagination along with reason, and he may be pointing out that human beings seek mythological constructs and grand designs of their world alongside the numerous facts that are discoverable through science.  If creative imagination is integral to being human, and if this integral component inevitably results in religious myth-making, then we should be careful in how we assess the apparent collision between reason and religion.

It seems to me that it is the failure to accept various facts about the world that has many proponents of reason opposed to religion, including many existing during the Age of Enlightenment.  The conflict however has largely been a tug of war over what I believe is a false dichotomy: choosing either reason or religion as exclusive modes of living or being.  Just as the religious don’t entirely discount reason (because they have to use it in much of their day-to-day lives, many who do so willingly), similarly the champions of reason shouldn’t entirely discount all that is involved in or accomplished with religion.  I think that human beings need an outlet for their creative imagination and emotional expression and they can and ought to produce mythological constructs and other allegorical narratives in stories, poetry, novels, cinema, and music, in order to serve as outlets for this creativity.

I for one want people to be able to express themselves, even if this is done through creative myth-making such as that found within religion; but the difficulty arises when the myths are actually believed as true and then this can interfere with accepting actual facts about the world which can subsequently impair one’s moral decision making.  Unfortunately, the myths that have been produced for millennia have most often been treated as truths and facts within those cultures rather than simply intuitive stories trying to make an important point through allegory and metaphor.  Perhaps we can have the latter without requiring the former; finding a way to appeal to our intuitions, emotions, and imagination, yet without having to sacrifice a reliable epistemology in the process.  This may allow reason to more harmoniously coexist with the deeper roots of our humanity.

Early on, Barrett also mentions some specifics concerning why Blake was opposed to industrialization:

“Mills and furnaces are evil, to Blake, because they are the external manifestations of the abstract and mechanical mind which means the death of man.”

Similarly, I can see how he would have been opposed to other means of mass production such as the assembly line, the distribution of labor in general, and processes involved in mass chemical synthesis such as distillation; all of which that can be seen as externalizations of the hyper-use of reason, logic, and reductionism.  Even ignoring the textile industry’s role in producing a person’s clothing, an explicit artifact of this kind of externalization would be recognized whenever a person living in Blake’s own time pulled out their pocket watch; a purely mechanical device that also illustrates the degree of precision and efficiency in an industrialized world that rations every minute of a person’s life as it sees fit.  No longer are we informed of the progression of our day by noting the whereabouts of the sun in the sky, as our ancestors once did and just as the rest of nature is apt to do; instead our time has become far too precious in maintaining our busy schedules than to conform to a more natural account of our time and existence.  We’ve each become an “Alice” in a wonderland of abstraction with no time to simply breath; instead we’re inclined to follow the example of the March Hare, chasing him down the rabbit hole of modernity as he shouts “Oh dear! Oh dear! I shall be too late!”

I suppose we could say that we’ve been cut off from nature insofar as we’re no longer like other animals living in the present moment; instead, we seem to be forever living in the future, where even our own existence and identity have become an abstraction centered around the relatively meaningless goals that we’ve been indoctrinated to value.  Now this shouldn’t be taken to mean that our consideration of the future isn’t also an important part of our being human, for it is, and in fact a vision of the future of human possibilities is a central driving force within Romanticism as well even if it seems more heavily inclined toward a return to the past.  But in our modern world, we’re pressured into the idea of being defined by what society wants us to become, in large part based on expectations that are not conducive to a fulfilling life.  Some of these expectations have included directing our attention away from a more natural way of life and towards a life that glorifies artificial metrics of success that have no intrinsic value to us as human beings.

It is apparent and obvious that something has happened to modernity’s connection to nature; which is easily recognized by looking at all of our artificial environments, functions, and modern concerns.  And Barrett actually mentions the concept of Being as implied in the poet William Wordsworth’s works, as one relying on a deep connection to nature.  Wordsworth unsurprisingly criticizes the intellect as something that severs us from this connection in his poem “The Tables Turned” :

Our meddling intellect
Misshapes the beauteous forms of things:
We murder to dissect.

Rather than simply being in nature and receiving what she has to offer by effortlessly taking in one’s surroundings as a whole, humans (most especially modern humans) often distance themselves from their raw experiences by analyzing them and breaking them down into very abstract concepts.  And we learn many of the abstract concepts used in this kind of analysis not from our own experience per se but from books and other derivative sources of information, thus further distancing ourselves from the original felt experience.  So it should come as no surprise to hear that Wordsworth was partial to the idea that learning directly from nature is far more effective than traditional learning from books and so forth, even though (perhaps ironically) he still wanted people to read his writings and he continued to make use of books himself.  But I think the driving point here is that even though books are important for a lot of reasons and even though we shouldn’t dispense of them nor should we dispense with analyzing our experience from time to time, we ought to spend more time living in the moment and not parsing everything out into abstractions that take away from the holistic attributes of the experience.

Whereas Wordsworth was grieving over the disconnection from nature that he saw taking place with regards to many of his contemporaries, he didn’t feel this way about himself.  It is here that Barrett turns to some of the works of Coleridge, for he commented on the same predicament but he was also writing about his own feelings, where he found himself no longer finding any happiness in nature.  Coleridge was perhaps the first poet to explore some of these existential feelings from his own perspective; encountering the void itself and all the anxiety it brings along with it:

A grief without a pang, void, dark, and drear,
A stifled, drowsy, unimpassioned grief,
Which finds no natural outlet, no relief,
In word, or sigh, or tear–

This excerpt from Coleridge’s “Dejection: An Ode,” was a personal confession of his having lost his sense of feeling, even wishing for a violent storm to erupt at one point in this poem such that he could feel something.  He describes his experience in some vivid detail and points to the fact that the degeneration of his feelings has a correlation with a degradation of his own imagination.  And he alludes to there being an inherent separation between man’s feelings and the forms found in nature; where the feelings have to be created from within rather than given to us from our simply being in nature.

One interesting trait within Coleridge’s work, and which may help to explain some sentiments in the poem referenced above, is the fact that he makes use of imaginative flights where he leaves the present time and place and substitutes them for a setting that’s entirely manufactured from his own creativity.  And this quality of Coleridge contrasts a bit with the sentiments of Wordsworth, where the former often makes use of separating himself from the nature around him in its present state and the latter emphasizes the importance of taking in nature as it is in the here-and-now.  Both strategies maintain a connection to nature in one way or another but one uses imagination to augment it potentially into a surreal experience whereas the other is more of an experiential realist that simply “receives” nature directly.

Barrett compares Coleridge’s melancholy to that of Faust in Goethe’s poetic drama:

“Both are in or near the condition of breakdown, trapped in a paralysis of feeling in which everything has turned to dust and ashes, including the meddling intellect that has tyrannized over both.”

Even though Goethe set out to distance himself from Romanticism later in his life, Faust represents Goethe at his most romantic.  And it is in Faust-Goethe that we see a strong tie to humanity as a collective being with an essential yearning to both live and grow, even if this is only accomplished by an amalgamation of the Dionysian-Apollonian dichotomy; a fusion of stability and chaos; a marriage between self-restraint and personal freedom.

Freedom is a concept that Barrett also touches on with respect to Goethe’s interest in alchemy, where he ties the concept to “the dark halo of magic around him,” which served as a kind of sign of man’s lust to transcend his own limitations.  And what better place to incorporate the problem of free will, than with the desire to harness magical power in order to manipulate anything at your command.  Most people haven’t pondered over the free will conundrum in any philosophical way, for example, by considering the logical contradiction between causation or randomness and a human freedom that is self-caused or causa sui.  But the fact of the matter is, the only way for people to have a libertarian form of free will would be by some kind of magic, where the logically impossible is made possible, and so it seems to be no coincidence that the figure of the magician is, as Barrett puts it: “…the primitive image of human freedom.”  He also reminds us of the fact that magic and alchemy are recurring elements throughout the history of Romanticism where they betray our personal aspirations of becoming something more than we are.

Tying all of this together, Barrett reveals a more profound quality or role of the poet:

“Poetry is no longer an art merely of making verses, but a magical means of arriving at some truer and more real sphere of Being.  Poetry becomes a substitute for a religion.”

And this may be true in the sense that poetry allows one to open the channel between reason and emotion, or between reality and imagination.  In any case, whether one is drawn toward a form of expression offered through poetry or religion, it is the search for a way of transcending humanity or at the very least in overcoming our estrangement to Being itself, that drives us into these modes of living.

2. The Russians: Dostoevski and Tolstoy (realist fiction)

One prominent theme within Russian literature is the contrasting of the intellectual class with the rest of humanity, and Barrett points out a relation between the two:

“Intellectuals as a class suffer to the degree that they are cut off from the rest of mankind.  But intellectuals are the embodiment of reason, and reason itself if cut off from the concrete life of ordinary mankind is bound to decay.”

This is an interesting conclusion that the intellectuals in Russia were in a unique position to see, for they had a physical and cultural separation from the primary beneficiaries of the Enlightenment: namely, the West.  Even though they could examine this period in history as intellectuals, they did so with the desire to establish or maintain their own identity, allowing them to see what was happening in their society from a different perspective than the intellectual classes in Europe and the U.S.  The fact that Russia had a more conservative culture than the West also inhibited the cultural diffusion that would have otherwise further fused Western culture with that of Russia.

There were historical contingencies as well that facilitated a burst of philosophical contemplation, some of which Barrett mentions as relating to a disruption in the stability of society:

“A society that is going through a process of dislocation and upheaval, or of revolution, is bound to cause suffering to individuals, but this suffering itself can bring one closer to one’s own existence.  Habit and routine are great veils over our existence.  As long as they are securely in place, we need not consider what life means; its meaning seems sufficiently incarnate in the triumph of the daily habit.  When the social fabric is rent, however, man is suddenly thrust outside, away from the habits and norms he once accepted automatically.  There, on the outside, his questioning begins.”

You may notice the mention of habit and routine here, a recurring theme from the last post (on chapter 5), which included Pascal’s mention of our escaping from a close consideration of the human condition through the two “sovereign anodynes” of habit and diversion:

“Both habit and diversion, so long as they work, conceal from man “his nothingness, his forlornness, his inadequacy, his impotence and his emptiness.” 

In the case of Russia, the social fabric had been disrupted by the influx of ideas stemming from the Enlightenment, thus causing a more pressing need for many to question the old traditions and religious belief systems that had, up to this period in Russian history, withstood the tests of time.  And it was in the greatest intellectual writers of Russia, Dostoyevsky and Tolstoy, that we see a fresh perspective on the effects of the intellectual class on their society and in terms of an essential view of man.  Since Russia hadn’t developed any kind of philosophical tradition, the ideas that were pouring in from the West began to permeate the general populace, thus causing a less stable (more passionate, less objective) processing of these ideas.  And Dostoyevsky and Tolstoy, two of the most prominent intellectuals within that populace, provided plenty of philosophical insight on their own, without the need for any philosophical professorship or the like.

Admittedly I haven’t had the pleasure of reading Tolstoy yet, but I have read all of Dostoyevsky’s major works; and one recurring theme in many of his novels is the exploration of the mind of a criminal.  He was inspired by his time in a Siberian prison camp where he spent a great deal of time with a number of criminals, gaining some insight in terms of their psychology and which led him to make some conclusions about human nature in general.  Barrett explains:

“What Dostoevski saw in the criminals he lived with is what he came finally to see at the center of man’s nature: contradiction, ambivalence, irrationality.  There was a childishness and innocence about these criminals, along with a brutality and cruelty, altogether unlike the murderous innocence of a child…In them Dostoevski was face to face with the demoniacal in human nature: perhaps man is not the rational but the demoniacal animal.”

I’m certainly sympathetic to this view, for humans not only have an intelligence that is often applied in a pre-meditated, Machiavellian fashion, but we also have our crimes of passion which seem to be derived from the irrational portion of our psyche combined with our instincts as a social animal trying to move upward within a dominance hierarchy.  We often use violence and cruelty as a means to move up the social ladder which can manifest itself in our day-to-day behavior or, if we’re privileged enough to avoid such behavior even most of the time, then a dose of poverty, a little bad luck, or simply a moment of desperation, will often bring this cruel monster hiding inside each of us out into full view.  In the end, we have to recognize what Hume said long ago: that reason is but a slave of the passions.

Hume’s point can be made clear in Dostoyevsky’s Crime and Punishment where the main protagonist, Raskolnikov, feeling alienated from the masses around him, uses reason during his bout of despair to arrive at a pre-Nietzschean theory with an imperative to rise above any ordinary moral code.  But after succumbing to this line of reasoning and putting it into practice, killing the pawnbroker, Alyona Ivanovna, and her sister Lizaveta, he is overcome with guilt and suffers a mental and physical breakdown.  His passions clearly got the better of him and he is unable to reconcile his actions with his own conscience and thus unable to subdue the emotional roller-coaster that ensues.

Barrett describes the situation in terms of a failure of repression:

“Raskolnikov’s theory has not reckoned with his own self, and the guilt over his crime brings on a breakdown.  Precisely the feelings that had been repressed in this intellectual-the ordinary human horror at the taking of life-erupt and take their revenge.”

The problem as I see it is not Raskolnikov’s use of reason in his moral theorizing, but the fact that he didn’t incorporate his likely emotional reactions into the moral theory and plan of action that he devised for himself.  He took many of his emotions and feelings entirely for granted, which are the ultimate drives in directing one’s behavior, and which are therefore the primary underlying impetus in determining what we feel we ought to do.

All moral systems that can have any claim to being true and which are sufficiently motivating to follow will ultimately break down to hypothetical imperatives: if you want X above all else, then you ought to do Y above all else; and X is going to be a subjective criterion based on what maximizes personal satisfaction and fulfillment in one’s life.  Since human beings have certain psychological and sociological characteristics given the species that we are, there are a limited number of behaviors that are conducive to maximizing psychological health and well-being; and this means that we have to take these facts about ourselves into account in devising any moral theory that will actually work for us.  And given our differences as individuals, there are additional facts to take into account in making a moral theory that will work most effectively for any particular individual given their psychological idiosyncrasies, even if there are still some set of universal morals that apply to all psychologically healthy human beings.

Deciding to kill other people simply because one has discovered some good reasons for doing so is not likely, given our psychology, to work all that well; since it’s likely to have a negative effect on how we see ourselves as a person.  If all the reasons are taken into account, or at least a particular set of reasons that includes our emotional predispositions or our subjective experience generally, then reason can be used and ought to be used for constructing a viable moral theory.  But Raskolnikov didn’t do this, and so we can see the limits of reason here as well when the facts pertaining to our subjective experience are not given their due consideration.  If our most basic emotional tendencies are inhibited for too long or beyond a certain threshold, it’s only a matter of time before our psyche cracks under the pressure.

Barrett points out the negative role that reason plays in a number of Dostoyevsky’s literary themes:

“These destructive and even criminal possibilities of reason were the philosophic themes on which Dostoevski played his most persistent variations…In ‘The Possessed’ (Demons) a group of political intellectuals are shown as being possessed by devils, ready to scheme, lie, even kill for the abstract ideals of Progress, reason, socialism.”

Personally, I don’t think it’s fair to blame reason itself for any of the morally reprehensible behaviors that Dostoyevsky saw with the criminals around him, with his fictional characters, or even with human beings in general.  Instead, I think the lesson should be that reason can be used to fuel immorality, but only in cases where one isn’t considering all the facts (or at least isn’t considering enough of the facts) pertaining to one’s own psychology and that of the people around them, or isn’t thinking rationally about those facts.  On the other hand, with emotion or irrationality, there doesn’t even need to be a reason to act immorally and instead it may just precipitate in a kind of Dionysian, impulsive, and instinctive way.  What’s most important here, I think, is to acknowledge that reason can’t be used on its own, nor can emotion or subjectivity, when it comes to devising any effective (let alone sustainable) moral theory; both are integral and indispensable for informing us about what will maximize moral behavior and thus human happiness as well.

And if we deny ourselves the chaotic spontaneity or unpredictability that we often find adding a valuable kind of novelty in our lives, then we have another problem as well:

“In a rational utopia, he cries, man might die of boredom, or out of the violent need to escape this boredom start sticking pins in his neighbor-for no reason at all, just to assert his freedom…If science could comprehend all phenomena so that eventually in a thoroughly rational society human beings became as predictable as cogs in a machine, then man, driven by this need to know and assert his freedom, would rise up and smash the machine.”

This is reminiscent of the trip to Laputa in Gulliver’s Travels that we heard near the beginning of this chapter, where Barrett mentioned the inevitable search for the Dionysian in an attempt to avoid the sterile kingdom of reason.  Predictability and the concept of free will are also very salient here, for the intuition that leads us to believe we have a kind of libertarian free will, despite its logical impossibility, is in part an artifact of our inability to predict the future beyond a certain threshold.  More importantly, it’s the fact that we can’t predict our own behavior, or the causes of our own behavior (including those within our unconscious mind) with a high enough degree of accuracy, that causes us to feel that we are the sole authors of our actions rather than being intimately connected within a deterministic causal chain.

And even though our knowledge is limited in fundamental ways, for example by Heisenberg’s Uncertainty Principle (stemming from the quantum mechanical properties of our universe), we still have access to enough knowledge (in principle at least) whereby if we actually obtained it, our happiness and overall psychological health would suffer immensely.  Why might this be?  Well, if we consider the fact that our species evolved to thrive in a world where we didn’t have any pragmatic access to this kind of knowledge, then we might better appreciate the fact that our human psychology isn’t adapted to value such predictive power.  The irony here is that our brain operates on a fundamental principle of making more and more accurate predictions, where it wants to continuously decrease its own prediction error by updating its models of the world or behaving in ways that make those predictions come true; but it also wants to seek out new information about the world, and so in a way it’s also attracted to uncertainty, always looking to uncover more of the world’s mysteries in order to solve them.

Unfortunately, with the advent of science, formal logic, and the explicit processes of reason and the technological progress that’s we’ve gained from the use of such cognitive tools, we’re beginning to reach a level of knowledge that’s encroaching on our intuitive sense of our own freedom of the will.  This is something we should have been thinking very seriously about ever since we entered the information age.  We should have been thinking about how we ought to structure the direction of our technological progress, putting in some design constraints so as to preserve our psychological well-being given the kinds of knowledge that we’re destined to uncover and given what we don’t want to uncover.

There’s a tricky balance we have to respect and which is all too often taken for granted, where we want to continue making strides in fields like neuroscience, psychology, and sociology, such that we can inform our moral system of more and more relevant information about ourselves to further maximize our happiness; but we also want to make sure not to detract from this moral goal and so we need to continue learning what kinds of information we ought not have immediate access to.  As long as we begin to take this balancing act seriously, we can continue to make advancements in knowledge while not working against our primary objectives as human beings.

Aside from the problem of knowledge we face, we also must face the fact that as our lives are built around increasing levels of abstraction, we begin to resent it:

“What the reformers of the Enlightenment, dreaming of a perfect organization of society, had overlooked, Dostoevski saw all too plainly with the novelist’s eye: Namely, that as modern society becomes more organized and hence more bureaucratized it piles up at its joints petty figures like that of the Underground Man, who beneath their nondescript surface are monsters of frustration and resentment.”

As Nietzsche had explored in his On the Genealogy of Morality, resentment or ressentiment can serve as a creative force for change; a kind of catalyst to create a new system of morals (for better or worse), but it is often done to justify one’s own weaknesses and to divert attention away from one’s own responsibility for their lives by blaming a scapegoat instead.  So while resentment may lead to personal growth if the conditions are just right, it more often leads to a feeling of hostility towards those perceived as the cause of one’s frustrations.  If this resentment is bottled up and left to fester for too long, it may lead people to take out their anger on anyone and everyone around them; to lash out irrationally in a fit of violence.  And who could blame them for this, after perceiving that they’re inevitably trapped in a life with so many things that are out of their control?

Even in the face of resentment however, one can see the value of life when push comes to shove and one comes face to face with death itself.  The time that once seemed to flow on by, with each minute as meaningless as the one before or after it, now becomes as precious as ever as if each infinitesimal moment now stretches on through an eternity.  Dostoyevsky mentions the life changing power of such an experience in his novel The Idiot, where the character Prince Myshkin retells the story of an unidentified man (presumably representing Dostoyevsky himself):

“This man had once been led out with the others to the scaffold and a sentence of death was read over him….Twenty minutes later a reprieve was read to them, and they were condemned to another punishment instead.  Yet the interval between those two sentences, twenty minutes or at least a quarter of an hour, he passed in the fullest conviction that he would die in a few minutes….The priest went to each in turn with a cross.  He had only five minutes more to live.  He told me that those five minutes seemed to him an infinite time, a vast wealth….But he said that nothing was so dreadful at that time as the continual thought, “What if I were not to die!  What if I could go back to life–what eternity!  And it would all be mine!  I would turn every minute into an age; I would lose nothing, I would count every minute as it passed, I would not waste one!”  He said that this idea turned to such a fury at last that he longed to be shot quickly.”

Of course, the main lesson to learn here is that in the face of one’s own death, life takes on an absolute value and as Barrett says “The meaning of death is precisely its revelation of this value.”  And there will certainly be more to say about this when we get to the chapter on Heidegger and explore his concept of Being-towards-death.

As we move from Dostoyevsky to Tolstoy, we find a fairly different view of man; and this difference is in some ways like that between night and day.  Whereas the former had a more morbid or pathological view of man, the latter is more akin to expressing the better angels of our human nature.  But both men brought to light the knowledge of the Dionysian aspects of our being.  It’s useful to look at a passage from Tolstoy’s Anna Karenina, where her husband, the very rational and intellectually-minded Alexey Karenin, slips into a fit of jealousy over his wife:

“He felt that he was standing face to face with something illogical and irrational, and did not know what was to be done.  Alexey Alexandrovitch was standing face to face with life, with the possibility of his wife’s loving someone other than himself, and this seemed to him very irrational and incomprehensible because it was life itself.  All his life Alexey Alexandrovitch had lived and worked in official spheres, having to do with the reflection of life.  And every time he had stumbled against life itself he had shrunk away from it.  Now he experienced a feeling akin to that of a man who, while calmly crossing a bridge over a precipice, should suddenly discover that the bridge is broken, and that there is a chasm below.  That chasm was life itself, the bridge that artificial life in which Alexey Alexandrovitch had lived.  For the first time the question presented itself to him of the possibility of his wife’s loving someone else, and he was horrified at it.”

And this was Tolstoy’s goal ultimately as a novelist: the standing face to face with life, with truth, and with the way the world and our existence within it really is.  The trouble arises if we fail to accept life and instead hide ourselves from it, and what Tolstoy saw was that our own powers of intellect can be the cause of this concealment; by giving us only a reflection of what life is, through abstractions, social conventions and the comforts brought to us through our daily use of routine.

And what kind of truth did the characters in Tolstoy’s novels end up finding?  Rather than some kind of intellectual truth consisting of propositions that could be spelled out here, it was an existential truth and so a truth that’s inherently difficult to put into words.  The truth was more or less a kind of openness to Being, where one finally faced the true possibilities that may unfold in their lives, even with that inevitable “possibility of the impossibility of existence” (as Heidegger put it): death itself.  And the natural unfolding of life as seen in Tolstoy’s novels, with a predominantly organic milieu, is meant to illustrate the necessary search for truth in one’s life and the truth about life itself.

To return to a previous theme mentioned earlier (in part 5, on Christian sources), Barrett says:

“The meaning of life, if there is one, says Tolstoy, must be found in these ordinary souls and not in the great intellects of the race.  Whatever ultimate meaning there is is vital and not rational.  The peasantry are wiser in their ignorance than the savants of St. Petersburg in their learning.”

And here again, I think this highlights the importance of subjectivity and our overall feeling of contentment; something that can’t be overcome or superseded by rationality nor by the rationalizations borne out of our intellect.  The meaning of life is ultimately derived from feeling and emotion, forces that lie in the deepest parts of our being.  And while the meaning of life may still be discovered by some of the great intellects in any period of history, Tolstoy’s point is still well taken; for the intellectual class has all too often overestimated the reach of the intellect and simultaneously undervalued or entirely devalued the fundamental role of “the vital”.  In the next post in this series, I’ll be starting a survey of part 3, “The Existentialists”, beginning with chapter 7, on Kierkegaard.

“The Brothers Karamazov”: A Moral & Philosophical Critique (Part IV)

Throughout this post series on Dostoyevsky’s The Brothers Karamazov (click here for parts 1, 2, and 3), I’ve been writing about some of the themes and concepts that are of particular interest to me, for example, the concepts of moral objectivity, God, an afterlife, immortal souls, free will and determinism, moral desert, and others.  In this post, I wanted to tie these themes all together with the main theme present throughout this entire novel, namely the existentially relevant conflict between religious faith and doubt.

Dostoyevsky clearly has a bias toward a world view that is based on or embedded within religious faith, and this can be seen most explicitly by the distinctions he makes between the idealistic religious characters Alyosha and father Zosima, and that of the logical skepticism instantiated by the atheistic Ivan (and through his influence, Smerdyakov).  Alyosha and Zosima clearly display an active form of love, forgiveness, and a consistent effort to do good in the world presumably predicated on their belief in the existence of God (though a very particular formulation of God is necessary here, not simply any kind of God).  Ivan on the other hand, as a result of his attributes of rationality, logic, and the importance he places on empirical evidence and analysis, ends up rejecting any belief in God (or at least, rejecting any belief in a good or loving God due to the Problem of Evil), rejecting conventional notions of (or foundations for) morality, and subsequently maintains a cold and callous view of mankind while suffering from a debilitating form of inner despair.

From the contrast seen between these limited character types (and many more characters in the novel), we are to ascertain that a life embedded in religious faith is clearly one with more happiness, stability, and goodness, whereas a life presumably encumbered by religious doubt is a life filled with chaos, despair, and often evil or immoral behavior.  As I’ve alluded to in my previous posts in this series, I think this perspective is highly flawed for a number of reasons.  However, in defense of Dostoyevsky’s perspective, I will say that I think it is often the case that religious faith inspires people to be happier than they otherwise would be, that it often gives people another form of social or psychological stability in an otherwise chaotic world (that’s why humans invented religion in the first place), and that it can lead people to do many good things.  And likewise, I will even concede that religious doubt or atheistic worldviews can often be nihilistic, and if so, can lead to less happy lives, less social or psychological stability, and possibly leading to more immoral behavior (though some religious beliefs can promote immoral behavior as well).  I wouldn’t describe my own atheism this way by any means, but many atheists would likely fit the bill (so to speak).

The problem however with Dostoyevsky’s perspective is that it is misleading with respect to the implied inherent characteristics of these divergent world views (theism vs. atheism), the obvious social and institutional causal factors that reinforce those different types of behaviors (what religious and non-religious institutions exist at any point in time), and the fact that people that abandon or reject religious faith often haven’t critically examined or formulated the philosophical foundations for their belief systems.  People that are indoctrinated with various religious beliefs often use the religion itself (or various theological claims) and the cultural traditions that have followed from them, as the foundation for many of their beliefs including those pertaining to morality, a sense of purpose, and ultimate meaning in their lives — a mistaken foundation that unfortunately has become deeply ingrained in our society and for quite some time now.

This erroneous foundation has become deeply ingrained, most especially in societies that have been Christianized or that have been theocratic at one time or another.  As a result, even if secularization eventually occurs in those societies (with the separation of church and state often improving lives by increasing equality and human rights), many non-religious individuals within those societies simply don’t know how to ground many of their beliefs within some secular/atheistic philosophical framework.  The assumed religious foundation for many of those beliefs has simply been taken for granted, and if that foundation goes away with secularization, and people actually realize that the foundation they once had for those beliefs is no longer valid, many people don’t know how to avoid slipping into some form of nihilism.

Nietzsche spoke about this process in his Will to Power, that is, the process of inevitably slipping into nihilism once one realizes that the foundation for their beliefs is in fact a false one.  The problem is, as Nietzsche pointed out, that nihilism should be treated as merely a transitional stage since it is ultimately pathological, and like all pathologies, ultimately needs to be overcome.  People slipping into nihilism and then concluding that life is meaningless or that moral action is meaningless is really a result of a false generalization.  Rather than rejecting their old beliefs and striving to search for new beliefs or a new foundation for them, some people simply give up the search and then erroneously think that there can’t be any real meaning in their lives or in humanity.  Nietzsche saw this perceived futility as fallacious, and believed that it really should be seen as an opportunity for one to find their own form of meaning for their lives, without any need of anything superhuman or supernatural.  Once one realizes this error in their nihilism, they can shift from a passive form of nihilism to an active one, such that it truly becomes a transitional stage toward a non-nihilistic world view.

In The Brothers Karamazov, the atheistic character, Ivan, seems to have simply fallen into a more or less passive form of nihilism.  As such, Ivan seems to have made the same erroneous generalization that Nietzsche warned us of.  Having been so deeply entrenched in a Christianized society, his lack of belief in God has pulled his (presumably original) foundation for morality out from under him, leading him to think that without God, anything is permissible and therefore no action can be said to be truly good or bad.  Dostoyevsky seems to believe (or so implies with his characters) that this passive form of nihilism (or something analogous to it) is all that can result with individuals that lack religious faith.  And on the other end of the spectrum, his devout religious characters (Alyosha and father Zosima in particular) don’t suffer from this problem because their belief in God, some of their religious traditions, and their particular religious perspective, have bestowed upon them a perceived foundation for their values and purpose in life.  Though this foundation is one that is not based on reason and evidence and therefore can have no reasonable claim of being true or valid, religious people nevertheless believe that it is true and valid and so it inevitably motivates their behavior which can often be for good.

So I think it’s fair to say that I agree with Dostoyevsky at least insofar as religious doubt (when compared to religious faith) can lead people down a path of decreased happiness and with a general disregard for (at least certain) moral considerations.  However, this is generally only going to be the case when those with religious doubt slip into a passive form of nihilism (rather than an active form, that can lead to a re-grounding and/or reformulation of one’s values).  And Ivan, with his admiration for evidence-based logic, should have realized that this passive form of nihilism is irrational and illogical, a fact that becomes obvious once one critically considers what human morality really is and what it is not (i.e. it is not rationally nor pragmatically based on Divine Command Theory, or any form of religious faith or dogma — even if people mistakenly believe this to be the case).  And it is a fact that becomes obvious once one realizes how morality is actually grounded in the natural world, where it can be described and optimized using a number of objective facts pertaining to our psychology, our biology, and how we interact with one another as a social species.

The radical freedom that people find themselves possessing in this world creates an existential crisis as Dostoyevsky and many other philosophers (such as Kierkegaard, Sartre and others) have talked about at great length.  This crisis leads many people into adopting any manner of beliefs, including but not limited to religious beliefs, to help them cope with this burden of choice (among other things to cope with), and to help make sense of a highly chaotic world.  Others that reject the religious path for coping and that are also unable to do so within their atheistic framework, will likely be led to a worldview full of despair and (passive) nihilism.  But if people want to have the most fulfilling lives that they can, while also seeking the truth to make as responsible of decisions as they are able to (including moral decisions), then they must find a way to incorporate reason and evidence into their philosophical framework (which means eventually rejecting religious faith and dogma) while not losing sight of the non-nihilistic end goal that they ought to strive for.

We need to give our own meaning to our lives and only then will we will be able to maximize our personal satisfaction and life fulfillment.  The current challenge for our society is finding more ways of replacing religious institutions with secular versions that accomplish the social cohesive structure that many people long for, and to better prepare and empower our children and the young adults in our society with more rigorous philosophical training in ethics and epistemology.  Reading the works of wonderful authors such as Dostoyevsky should be a part of this philosophical training, so we can look at our lives from multiple perspectives with any number of often difficult to describe nuances and subtleties, to find the truths and flaws in those perspectives and build off of them to better understand ourselves and to get where we want to go as individuals and as a species.  I must say that I’ve rather enjoyed writing this post series, reading this wonderful novel, and I hope to do more post series like these in the future.

“The Brothers Karamazov” – A Moral & Philosophical Critique (Part III)

In the first two posts that I wrote in this series (part I and part II) concerning some concepts and themes mentioned in Dostoyevksy’s The Brothers Karamazov, I talked about moral realism and how it pertains to theism and atheism (and the character Ivan’s own views), and I also talked about moral responsibility and free will to some degree (and how this related to the interplay between Ivan and Smerdyakov).  In this post, I’m going to look at the concept of moral conscience and intuition, and how they apply to Ivan’s perspective and his experiencing an ongoing hallucination of a demonic apparition.  This demonic apparition only begins to haunt Ivan after hearing that his influence on his brother Smerdyakov led him to murder their father Fyodor.  The demon continues to torment Ivan until just before his other brother Alyosha informs him that Smerdyakov has committed suicide.  Then I’ll conclude with some discussion on the concept of moral desert (justice).

It seems pretty clear that the demonic apparition that appears to Ivan is a psychosomatic hallucination brought about as a manifestation of Ivan’s overwhelming guilt for what his brother has done, since he feels that he bears at least some of the responsibility for his brothers actions.  We learn earlier in the story that Zosima, a wise elder living at a monastery who acts as a mentor and teacher to Alyosha, had explained to Ivan that everyone bears at least some responsibility for the actions of everyone around them because human causality is so heavily intertwined with one person’s actions having a number of complicated effects on the actions of everyone else.  Despite Ivan’s strong initial reservations against this line of reasoning, he seems to have finally accepted that Zosima was right — hence him suffering a nervous breakdown as a result of realizing this.

Obviously Ivan’s moral conscience seems to be driving this turn of events and this is the case whether or not Ivan explicitly believes that morality is real.  And so we can see that despite Ivan’s moral skepticism, his moral intuitions and/or his newly accepted moral dispositions as per Zosima, have led him to his current state of despair.  Similarly, Ivan’s views on the problem of evil — whereby the vast amount of suffering in the world either refutes the existence of God, or shows that this God (if he does exist) must be a moral monster — betray even more of Ivan’s moral views with respect to how he wants the world to be.  His wanting the world to have less suffering in it, along with his wishing that his brother had not committed murder (let alone as a result of his influence on his brother), illustrates a number of moral “oughts” that Ivan subscribes to.  And whether they’re simply based on his moral intuitions or also rational moral reflection, they illustrate the deeply rooted psychological aspects of morality that are an inescapable facet of the human condition.

This situation also helps to explain some of the underlying motivations behind my own reversion back toward some form of moral realism, after becoming an atheist myself, initially catalyzed by my own moral intuitions and then later solidified and justified by rational moral reflection on objective facts pertaining to human psychology and other factors.  Now it should be said that moral intuitions on their own are only a generally useful heuristic as they are often misguiding (and incorrect) which is why it is imperative that they are checked by a rational assessment of the facts at hand.  But, nevertheless, they help to illustrate how good and evil can be said to be real (in at least some sense), even to someone like Ivan that doesn’t think they have an objective foundation.  They may not be conceptions of good and evil as described in many religions, with supernatural baggage attached, but they are real nonetheless.

Another interesting point worth noting is in regard to Zosima’s discussion about mutual moral responsibility.  While I already discussed moral responsibility in the last post along with its relation to free will, there’s something rather paradoxical about Dostoyevsky’s reasoning as expressed through Zosima that I found quite interesting.  Zosima talks about how love and forgiveness are necessary because everyone’s actions are intertwined with everyone else’s and therefore everyone bears some responsibility for the sins of others.  This idea of shared responsibility is abhorrent to those in the story that doubt God and the Christian religion (such as Ivan), who only want to be responsible for their own actions, but the complex intertwined causal chain that Zosima speaks of is the same causal chain that many determinists invoke to explain our lack of libertarian free will and how we can’t be held responsible in a causa sui manner for our actions.

Thus, if someone dies and there is in fact an afterlife, by Zosima’s own reasoning that person should not be judged as an individual solely responsible for their actions either.  That person should instead receive unconditional love and forgiveness and be redeemed rather than punished.  But this idea is anathema to standard Christian theology where one is supposed to be judged and given eternal paradise or eternal torment (with vastly disproportionate consequences given the finite degree of one’s actions).  It’s no surprise that Zosima isn’t looked upon as a model clergyman by some of his fellow monks in the monastery because his emphatic preaching about love and forgiveness undermines the typical heavy-handed judgemental aspects of God within Christianity.  But in any case, if God exists and understood that people were products of their genes and their environment which is causally interconnected with everyone else’s (i.e. libertarian free will is logically impossible), then a loving God would grant everyone forgiveness after death and grant them eternal paradise based on that understanding.  And oddly enough, this also undermines Ivan’s own reasoning that good and evil can only exist with an afterlife that undergoes judgement, because forgiveness and eternal paradise should be granted to everyone in the afterlife (by a truly loving God) if Zosima’s reasoning was taken to it’s logical conclusions.  So not only does Zosima’s reasoning seem to undermine the justification for unequal treatment of souls in the afterlife, but it also undermines the Christian conception of free will to boot (which is logically impossible regardless of Zosima’s reasoning).

And this brings me to the concept of moral desert.  In some ways I agree with Zosima, at least in the sense that love (or more specifically compassion) and forgiveness are extremely important in proper moral reasoning. And once one realizes the logical impossibility of libertarian free will, this should only encourage one’s use of love and forgiveness in the sense that people should never be trying to punish a wrongdoer (or hope for their punishment) for the sake of retributive justice or vengeance.  Rather, people should only punish (or hope that one is punished) as much as is necessary to compensate the victim as best as the circumstances allow and (more importantly) to rehabilitate the wrongdoer by reprogramming them through behavioral conditioning.  Anything above and beyond this is excessive, malicious, and immoral.  Similarly, a loving God (if one existed) would never punish anyone in the afterlife beyond what is needed to rehabilitate them (and it would seem that no punishment at all should really be needed if this God had the power to accomplish these feats on immaterial souls using magic), and if this God had no magic to accomplish this, then at the very least, it would still mean that there should never by any eternal punishments, since punishing someone forever (let alone torturing them forever), not only illustrates that there is no goal to rehabilitate the wrongdoer, but also that this God is beyond psychopathic and malevolent.  Again, think of Zosima’s reasoning as it applies here.

Looking back at the story with Smerdyakov, why does the demonic apparition disappear from Ivan right around the time that he learns that Smerdyakov killed himself?  It could be because Ivan thinks that Smerdyakov has gotten what he deserved, and that he’s no longer roaming free (so to speak) after his heinous act of murder.  And it could also be because Ivan seemed sure at that point that he would confess to the murder (or at least motivating Smerdyakov to do it).  But if either of these notions are true, then once again Ivan has betrayed yet another moral disposition of his, that murder is morally wrong.  It may also imply that Ivan, deep down, may in fact believe in an afterlife, and that Smerdyakov will now be judged for his actions.

It no doubt feels good to a lot of people when they see someone that has wronged another, getting punished for their bad deeds.  The feeling of justice and even vengeance can be so emotionally powerful, especially if the wrongdoer took the life of someone that you or someone else loved very much.  It’s a common feeling to want that criminal to suffer, perhaps to rot in jail until they die, perhaps to be tortured, or what-have-you.  And these intuitions illustrate why so many religious beliefs surrounding judgment in the afterlife share many of these common elements.  People invented these religious beliefs (whether unconsciously or not) because it makes them feel better about wrongdoers that may otherwise die without having been judged for their actions.  After all, when is justice going to be served?  It is also a motivating factor for a lot of people to keep their behaviors in check (as per Ivan’s rationale regarding an afterlife requirement in order for good and evil to be meaningful to people).  Even though I don’t think that this particular motivation is necessary (and therefore Ivan’s argument is incorrect) — due to other motivating forces such as the level of fulfillment and personal self-worth in one’s life, gained through living a life of moral virtue, or the lack thereof by those that fail to live virtuously — it is still a motivation that exists with many people and strongly intersects with the concept of moral desert.  Due to its pervasiveness in our intuitions and how we perceive other human beings and its importance in moral theory in general, people should spend a lot more time critically reflecting on this concept.

In the next part of this post series, I’m going to talk about the conflict between faith and doubt, perhaps the most ubiquitous theme found in The Brothers Karamazov, and how it ties all of these other concepts together.

“The Brothers Karamazov” – A Moral & Philosophical Critique (Part II)

In my last post in this series, concerning Dostoyevsky’s The Brothers Karamazov, I talked about the concept of good and evil and the character Ivan’s personal atheistic perception that they are contingent on God existing (or at least an afterlife of eternal reward or punishment).  While there may even be a decent percentage of atheists that share this view (objective morality being contingent on God’s existence), I briefly explained my own views (being an atheist myself) which differs from Ivan’s in that I am a moral realist and believe that morality is objective independent of any gods or immortal souls existing.  I believe that moral facts exist (and science is the best way to find them), that morality is ultimately grounded on objective facts pertaining to human psychology, biology, sociology, neurology, and other facts about human beings, and thus that good and evil do exist in at least some sense.

In this post, I’m going to talk about Ivan’s influence on his half-brother, Smerdyakov, who ends up confessing to Ivan that he murdered their father Fyodor Pavlovich, as a result of Ivan’s philosophical influence on him.  In particular, Smerdyakov implicates Ivan as at least partially responsible for his own murderous behavior since Ivan successfully convinced him that evil wasn’t possible in a world without a God.  Ivan ends up becoming consumed with guilt, basically suffers a nervous breakdown, and then is incessantly taunted by a demonic apparition.  The hallucinations continue up until the moment Ivan comes to find out, from his very religious brother Alyosha, that Smerdyakov has hung himself.  This scene highlights a number of important topics beyond the moral realism I discussed in the first post, such as moral responsibility, free will, and even moral desert (I’ll discuss this last topic in my next post).

As I mentioned before, beyond the fact that we do not need a god to ground moral values, we also don’t need a god or an afterlife to motivate us to behave morally either.  By cultivating moral virtues such as compassion, honesty, and reasonableness, and analyzing a situation using a rational assessment of as many facts as are currently accessible, we can maximize our personal satisfaction and thus our chances of living a fulfilling life.  Behavioral causal factors that support this goal are “good” and those that detract from it are “evil”.  Aside from these labels though, we actually experience a more or less pleasing life depending on our behaviors and therefore we do have real-time motivations for behaving morally (such as acting in ways that conform to various cultivated virtues).  Aristotle claimed this more than 2000 years ago and moral psychology has been confirming it time and time again.

Since we have evolved as a particular social species with a particular psychology, not only do we have particular behaviors that best accomplish a fulfilling life, but there are also various behavioral conditioning algorithms and punishment/reward systems that are best at modifying our behavior.  And this brings me to Smerdyakov.  By listening to Ivan and ultimately becoming convinced by Ivan’s philosophical arguments, he seems to have been conditioned out of his previous views on moral responsibility.  In particular, he ended up adopting the belief that if God does not exist, then anything is permissible.  Since he also rejected a belief in God, he therefore thought he could do whatever he wanted.

One thing this turn of events highlights is that there are a number of different factors that influence people’s behaviors and that lead to their being reasoned into doing (or not doing) all sorts of things.  As Voltaire once said “Those who can make you believe absurdities can also make you commit atrocities.  And I think what Ivan told Smerdyakov was in fact absurd — although it was a belief that I once held as well not long after becoming an atheist.  For it is quite obviously absurd that anything is permissible without a God existing for at least two types of reasons: pragmatic considerations and moral considerations (with the former overlapping with the latter).  Pragmatic reasons include things like not wanting to be fined, incarcerated, or even executed by a criminal justice system that operates to minimize illegal behaviors.  It includes not wanting to be ostracized from your circle of friends, your social groups, or your community (and risking the loss of beneficial reciprocity, safety nets, etc.).  Moral reasons include everything that detracts from your overall psychological well-being, the very thing that is needed to live a maximally fulfilling life given one’s circumstances.  Behaving in ways that degrade your sense of inner worth, your integrity, self-esteem, and that diminish a good conscience, is going to make you feel miserable compared to behaving in ways that positively impact these fundamental psychological goals.

Furthermore, this part of the story illustrates that we have a moral responsibility not only to ourselves and our own behavior, but also in terms of how we influence the behavior of those around us, based on what we say, how we treat them, and more.  This also reinforces the importance of social contract theory and how it pertains to moral behavior.  If we follow simple behavioral heuristics like the Golden Rule and mutual reciprocity, then we can work together to obtain and secure common social goods such as various rights, equality, environmental sustainability, democratic legislation (ideally based on open moral deliberation), and various social safety nets.  We also can punish those that violate the social contract, as we already do with the criminal justice system and various kinds of social ostracization.  While our system of checks is far from perfect, having some system that serves such a purpose is necessary because not everybody behaves in ways that are ultimately beneficial to themselves nor everyone else around them.  People need to be conditioned to behave in ways that are more conducive to their own well being and that of others, and if all reasonable efforts to achieve that fails, they may simply need to be quarantined through incarceration (for example psychopaths or other violent criminals that society needs to be protected from, and that aren’t responding to rehabilitation efforts).

In any case, we do have a responsibility to others and that means we need to be careful what we say, such as the case with Ivan and his brother.  And this includes how we talk about concepts like free will, moral responsibility, and moral desert (justice).  If we tell people that all of their behaviors are determined and therefore don’t matter, that’s not a good way to get people to behave in ways that are good for them or for others.  Nor is telling them that because a God doesn’t exist, that their actions don’t matter.  In the case of deterministic nihilism, it’s a way to get people to lose much if not all of their motivation to put forward effort in achieving useful goals.  And both deterministic and atheistic moral nihilism are dangerous ideas that can get some people to commit heinous crimes such as mass shootings (or murdering their own father as Smerdyakov did), because they simply cause people to think that all behaviors are on equal footing in any way that matters.  And quite frankly, those nihilistic ideas are not only dangerous but also absurd.

While I’ve written a bit on free will in the past, my views have become more refined over the years, and my overall attitude towards the issue has been co-evolving alongside my views on morality.  The main crux of the free will issue is that libertarian free will is logically impossible because our actions are never free from both determinism and indeterminism (randomness) since one or the other must underlie how our universe operates (depending on which interpretation of Quantum Mechanics is correct).  Neither option from this logical dichotomy gives us “the freedom to have chosen to behave differently given the same initial conditions in a non-random way”.  Therefore free will in this sense is logically impossible.  However, this does not mean that our behavior isn’t operating under some sets of rules and patterns that we can discover and modify.  That is to say, we can effectively reprogram many of our behavioral tendencies using various forms of conditioning through punishment/reward systems.  These are the same systems we use to teach children how to behave and to rehabilitate criminals.

The key thing to note here is that we need to acknowledge that even if we don’t have libertarian free will, we still have a form of “free will” that matters (as philosophers like Daniel Dennett have said numerous times) whereby we have the ability to be programmed and reprogrammed in certain ways, thus allowing us to take responsibility for our actions and design ways to modify future actions as needed.  We have more degrees of freedom than a person who is insane for example, or a child, or a dog, and these degrees of freedom or autonomy — the flexibility we have in our decision-making algorithms — can be used as a rough guideline for determining how “morally responsible” a person is for their actions.  That is to say, the more easily a person can be conditioned out of a particular behavior, and the more rational decision making processes are involved in governing that behavior, the more “free will” this person has in a sense that applies to a criminal justice system and that applies to most of our everyday lives.

In the end, it doesn’t matter whether someone thinks that their behavior doesn’t matter because there’s no God, or because they have no libertarian free will.  What needs to be pointed out is the fact that we are able to behave in ways (or be conditioned to behave in ways) that lead to more happiness, more satisfaction and more fulfilling lives.  And we are able to behave in ways that detract from this goal.  So which behaviors should we aim for?  I think the answer is obvious.  And we also need to realize that as a part of our behavioral patterns, we need to realize that ideas have consequences on others and their subsequent behaviors.  So we need to be careful about what ideas we choose to spread and to make sure that they are put into a fuller context.  If a person hasn’t given some critical reflection about the consequences that may ensue from spreading their ideas to others, especially to others that may misunderstand it, then they need to keep those ideas to themselves until they’ve reflected on them more.  And this is something that I’ve discovered and applied for myself as well, as I was once far less careful about this than I am now.  In the next post, I’m going to talk about the concept of moral desert and how it pertains to free will.  This will be relevant to the scene described above regarding Ivan’s demonic apparition that haunts him as a result of his guilt over Smerdyakov’s murder of their father, as well as why the demonic apparition disappeared once Ivan heard that Smerdyakov had taken his own life.

“The Brothers Karamazov” – A Moral & Philosophical Critique (Part I)

I wanted to write some thoughts on Dostoyevsky’s The Brothers Karamazov, and I may end up writing this in several parts.  I’m interested in some of the themes that Dostoevsky develops, in particular, those pertaining to morality, moral responsibility, free will, moral desert, and their connection to theism and atheism.  Since I’m not going to go over the novel in great detail, for those not already familiar with this story, please at least read the plot overview (here’s a good link for that) before pressing on.

One of the main characters in this story, Ivan, is an atheist, as I am (though our philosophies differ markedly as you’ll come to find out as you read on).  In his interactions and conversation with his brother Alyosha, a very religious man, various moral concepts are brought up including the dichotomy of good and evil, arguments against the existence of God (at least, against the existence of a loving God) such as the well-known Problem of Evil, and other ethical and religious quandaries.  I wanted to first talk about Ivan’s insistence that good and evil cannot exist without God, and since Ivan’s character doesn’t believe that God exists, he comes to the conclusion that good and evil do not exist either.  Although I’m an atheist, I disagree with Ivan’s views here and will expand on why in a moment.

There are a number of arguments against the existence of God that I’ve come across over the years, some of which that I’ve formulated on my own after much reflection, and that were at least partially influenced by my former religious views as a born-again Protestant Christian.  Perhaps ironically, it wasn’t until after I became an atheist that I began to delve much deeper into moral theory, and also into philosophy generally (though the latter is less surprising).  My views on morality have evolved in extremely significant ways since my early adult years.  For example, back when I was a Christian I was a moral objectivist/realist, believing that morals were indeed objective but only in the sense that they depended on what God believed to be right and wrong (even if these divine rules changed over time or seemed to contradict my own moral intuitions and analyses, such as stoning homosexuals to death).  Thus, I subscribed to some form of Divine Command Theory (or DCT).  After becoming an atheist, much like Ivan, I became a moral relativist (but only temporarily – keep reading), believing as the character Ivan did, that good and evil couldn’t exist due to their resting on a fictitious or at least non-demonstrable supernatural theological foundation and/or (perhaps unlike Ivan believed) that good and evil may exist but only in the sense that they were nothing more than cultural norms that were all equally valid.

Since then, I’ve become a moral realist once again (as I was when I was a Christian), after putting the philosophy of Ivan to the test (so to speak).  I realized that I could no longer justify the belief that any cultural moral norm had as equal of a claim to being true as any other cultural norm.  There were simply too many examples of moral prescriptions in various cultures and religions that couldn’t be justified.  Then I realized that many of the world’s cultural moral norms, though certainly not all of them, were largely universal (such as prohibitions against, at least certain forms of, stealing, killing, and others) which suggested a common human psychological component underlying many of them.

I also realized that as an atheist, much as Nietzsche realized, I now had to ground my own moral views on something that didn’t rely on Divine Command Theory, gods, Christian traditions, or any other foundation that I found to be invalid, illogical, unreasonable, unjustified, or not sufficiently demonstrated to be true.  And I had to do this if I was to find a way out of moral relativism, which simply didn’t sit well with me as it didn’t seem to be coherent with the bulk of human psychology and the more or less universal goals that humans strive to achieve in their lives.  It was ultimately the objective facts pertaining to human psychology that allowed me to resubscribe to an objectivist/realist morality — and now my views of morality were no longer contingent on merely the whim or dictates of some authoritarian god (thus bypassing the Euthyphro dilemma), but rather were contingent on objective facts about human beings, what makes us happy and fulfilled and what doesn’t (where these facts often disagree with moral prescriptions stemming from various religions and Divine-Command-Theory).

After dabbling with the teachings of various philosophers such as Aristotle, Kant, Mill, Rawls, Foot, and others, I came to accept a view of morality that was indeed coherent, sensible, sufficiently motivating to follow (which is a must), and which subsumed all the major moral theories into one framework (and which therefore had the best claim to being true since it was compatible with all of them –  virtue ethics, deontology, and consequentialism).   Now I’ve come to accept what can be described as a Goal Theory of Ethics, whereby morality is defined as “that which one ought to do above all else – when rational and maximally informed based on reason and evidence – in order to increase one’s personal life fulfillment and overall level of preference satisfaction”.  One could classify this as a subset of desire utilitarianism, but readers must be warned that this is NOT to be confused with traditional formulations of utilitarianism – such as those explicitly stated by J.S. Mill, Peter Singer, etc., as they are rife with problems resulting from not taking ALL consequences into account (such as consequences pertaining to one’s own character and how they see themselves as a person, as per the wisdom of Aristotle and Kant).

So how can good and evil exist without some God(s) existing?  That is to say, if a God doesn’t exist, how can it not be the case that “anything is permissible”?  Well, the short answer is – because of human psychology (and also social contract theory).

When people talk about behaving morally, what they really mean (when we peel back all the layers of cultural and religious rhetoric, mythology, narrative, etc.) is behaving in a way that maximizes our personal satisfaction – specifically our sense of life fulfillment.  Ask a Christian, or a Muslim, or a Humanist, why ought they behave in some particular way, and it all can be shown to break down to some form of human happiness or preference satisfaction for life fulfillment (not some hedonistic form of happiness).  They may say to behave morally “because then you can get into heaven, or avoid hell”, or “because it pleases God”, or what-have-you.  When you ask why THOSE reasons are important, it ultimately leads to “because it maximizes your chance of living a fulfilled life” (whether in this life or in the next, for those that believe in an afterlife).  I don’t believe in any afterlife because there’s no good evidence or reason to have such a belief, so for me the life that is most important is the one life we are given here on earth – which therefore must be cherished and not given any secondary priority to a hypothetical life that may or may not be granted after death.

But regardless, whether you believe in an afterlife (as Alyosha does) or not (as in Ivan’s case), it is still about maximizing a specific form of happiness and fulfillment.  However, another place where Ivan seems to go wrong in his thinking is his conclusion that people only behave morally based on what they believe will happen to them in an afterlife.  And therefore, if there is no afterlife (immortal souls), then there is no reason to be moral.  The fact of the matter is though, in general, much of what we tend to call moral behavior actually produces positive effects on the quality of our lives now, as we live them.  People that behave immorally are generally not going to live “the good life” or achieve what Aristotle called eudaimonia.  On the other hand, if people actually cultivate virtues of compassion, honesty, and reasonableness, they will simply live more fulfilling lives.  And people that don’t do this or simply follow their immediate epicurean or selfish impulses will most certainly not live a fulfilling life.  So there is actually a naturalistic motivating force to behave morally, regardless of any afterlife.  Ivan simply overlooked this (and by extension, possibly Dostoyevsky as well), likely because most people brought up in Christianized cultures often focus on the afterlife as being the bearer of ultimate justice and therefore the ultimate motivator for behaving as they do.

In any case, the next obvious question to ask is what ways of living best accomplish this goal of life fulfillment?  This is an empirical question which means science can in principle discover the answer, and is the only reliable (or at least the most reliable) way of arriving at such answers.  While there is as of yet no explicit “science of morality”, various branches of science such as psychology, sociology, anthropology, and neuroscience, are discovering moral facts (or at least reasonable approximations of these facts, given what data we have obtained thus far).  Unless we as a society choose to formulate a science of morality — a laborious research project indeed — we will have to live with the best approximations to moral facts that are at our disposal as per the findings in psychology, sociology, neuroscience, etc.

So even if we don’t yet know with certainty what one ought to do in any and all particular circumstances (no situational ethical certainties), many scientific findings have increased our confidence in having discovered at least some of those moral facts or approximations of those facts (such as that slavery is morally wrong, because it doesn’t maximize the overall life satisfaction of the slaveholder, especially if he/she were to analyze the situation rationally with as many facts as are pragmatically at their disposal).  And to make use of some major philosophical fruits cultivated from the works of Hobbes, Locke, Rousseau, Hume, and Rawls (among many others), we have the benefits of Social Contract Theory to take into consideration.  In short, societies maximize the happiness and flourishing of the citizens contained therein by making use of a social contract – a system of rules and mutual expectations that ought to be enforced in order to accomplish that societal goal (and which ought to be designed in a fair manner, behind a Rawlsian veil of ignorance, or what he deemed the “original position”).  And therefore, to maximize one’s own chance of living a fulfilling life, one will most likely need to endorse some form of social contract theory that grants people rights, equality, protection, and so forth.

In summary, good and evil do exist despite there being no God because human psychology is particular to our species and our biology, it has a finite range of inputs and outputs, and therefore there are some sets of behaviors that will work better than others to maximize our happiness and overall life satisfaction given the situational circumstances that we find our lives embedded in.  What we call “good” and “evil” are simply the behaviors and causal events that “add to” or “detract from” our goal of living a fulfilling life.  The biggest source of disagreement among the various moral systems in the world (whether religiously motivated or not), are the different sets of “facts” that people subscribe to (some beliefs being based on sound reason and evidence whereas others are based on irrational faith, dogma, or emotions) and whether or not people are analyzing the actual facts in a rational manner.  A person may think they know what will maximize their chances of living a fulfilling life when in fact (much like with the heroin addict that can’t wait to get their next fix) they are wrong about the facts and if they only knew so and acted rationally, would do what they actually ought to do instead.

In my next post in this series, I’ll examine Ivan’s views on free will and moral responsibility, and how it relates to the unintended consequence of the actions of his half-brother Smerdyakov (who murders their father, Fyodor Pavlovich, as a result of Ivan’s influence on his moral views).

Atheism, Morality, and Various Thoughts of the Day…

I’m sick of anti-intellectuals and the rest in their assuming that all atheists are moral Nihilists, moral relativists, post/modernists, proponents of scientism, etc. ‘Dat ain’t the case. Some of us respect philosophy and understand fully well that even science requires an epistemological, metaphysical, and ethical foundation, in order to work at all and to ground all of its methodologies.  Some atheists are even keen to some form of panpsychism (like Chalmers’ or Strawson’s views).

Some of us even ascribe to a naturalistic worldview that holds onto meaning, despite the logical impossibility of libertarian free will (hint: it has to do with living a moral life which means to live a fulfilling life and maximizing one’s satisfaction through a rational assessment of all the available information — which entails BAYESIAN reasoning — including a rational assessment of the information pertaining to one’s own subjective experience of fulfillment and sustainable happiness). Some of us atheists/philosophical naturalists/what-have-you are moral realists as well and therefore reject relativism, believing that objective moral facts DO in fact exist (and therefore science can find them), even if many of those facts are entailed within a situational ethical framework. Some of us believe that at least some number of moral facts are universal, but this shouldn’t be confused with moral absolutism since both are merely independent subsets of realism. I find absolutism to be intellectually and morally repugnant and epistemologically unjustifiable.

Also, a note for any theists out there: when comparing arguments for and against the existence of a God or gods (and the “Divine Command Theory” that accompanies said belief), keep in mind that an atheist need only hold a minimalist position on the issue (soft atheism) and therefore the entire burden of proof lies on the theist to support their extraordinary claim(s) with an extraordinary amount of evidentiary weight. While I’m willing to justify a personal belief in hard atheism (the claim that “God does not exist”), the soft atheist need only point out that they lack a belief in God because no known proponent for theism has yet met the burden of proof for supporting their extraordinary claim that “God does exist”. As such, any justified moral theory of what one ought to do (above all else) including but certainly not limited to who one votes for, how we treat one another, what fundamental rights we should have, etc., must be grounded on claims of fact that have met their burden of proof. Theism has not done this and the theist can’t simply say “Prove God doesn’t exist”, since this would require proving a null hypothesis which is not possible, even if it can be proven false. So rather than trying to unjustifably shift the burden of proof onto the atheist, the theist must satisfy the burden of proof for their positive claim on the existence of a god(s).

A more general goal needed to save our a$$es from self-destruction is for more people to dabble in philosophy. I argue that it should even become a core part of educational curricula (especially education on minimizing logical fallacies/cognitive biases and education on moral psychology) to give us the best chance of living a life that is at least partially examined through internal rational reflection and discourse with those that are willing to engage with us. To give us the best chance of surviving the existential crisis that humanity (and many more species that share this planet with us) are in. We need more people to be encouraged to justify what they think they ought to do above all else.

On Moral Desert: Intuition vs Rationality

So what exactly is moral desert?  Well, in a nutshell, it is what someone deserves as a result of their actions as defined within the framework of some kind of moral theory.  Generally when people talk about moral desert, it’s often couched in terms of punishment and reward, and our intuitions (whether innate or culturally inherited) often produce strong feelings of knowing exactly what kinds of consequences people deserve in response to their actions.  But if we think about our ultimate goals in implementing any reasonable moral theory, we should quickly recognize the fact that our ultimate moral goal is to have ourselves and everybody else simply abide by that moral theory.  And we want that in order to guide our behavior and the behavior of those around us in ways that are conducive to our well being.  Ultimately, we want ourselves and others to act in ways that maximize our personal satisfaction — and not in a hedonistic sense — but rather to maximize our sense of contentment and living a fulfilled life.

If we think about scenarios that seem to merit punishment or reward, it would be useful to keep our ultimate moral goal in mind.  The reason I mention this is because, in particular, our feelings of resentment toward those that have wronged us can often lead one to advocate for an excessive amount of punishment to the wrongdoer.  Among other factors, vengeance and retribution often become incorporated into our intuitive sense of justice.  Many have argued that retribution itself (justifying “proportionate” punishment by appealing to concepts like moral desert and justice) isn’t a bad thing, even if vengeance — which lacks inherent limits on punishment, involves personal emotions from the victim, and other distinguishing factors — is in fact a bad thing.  While thinking about such a claim, I think it’s imperative that we analyze our reasons for punishing a wrongdoer in the first place and then analyze the concept of moral desert more closely.

Free Will & It’s Implications for Moral Desert

Free will is an extremely important concept to parse out here, because moral desert is most often intimately tied to the positive claim of our having free will.  That is to say, most concepts of moral desert, whereby it is believed that people deserve punishment and reward for actions that warrant it, fundamentally relies on the premise that people could have chosen to do otherwise but instead chose the path they did out of free choice.  While there are various versions of free will that philosophers have proposed, they all tend to revolve around some concept of autonomous agency.  The folk psychological conception of free will that most people subscribe to is some form of deliberation that is self-caused in some way thus ruling out randomness or indeterminism as the “cause”, since randomness can’t be authored by the autonomous agent, and also ruling out non-randomness or determinism as well, since an unbroken chain of antecedent causes can’t be authored by the autonomous agent either.

So as to avoid a long digression, I’m not going to expound upon all the details of free will and the various versions that others have proposed, but will only mention that the most relevant version that is tied to moral desert is generally some form of having the ability to have chosen to do otherwise (ignoring randomness).  Notice that because indeterminism or determinism is a logical dichotomy, these are the only two options that can possibly exist to describe the ontological underpinnings of our universe (in terms of causal laws that describe how the state of the universe changes over time).  Quantum mechanics allows either of these two options to exist given their consistency with the various interpretations therein that are all empirically identical with one another, but there is no third option available, so quantum mechanics doesn’t buy us any room for this kind of free will either.  Since neither option can produce any form of self-caused or causa sui free will (sometimes referred to as libertarian free will), then the intuitive concept of moral desert that relies on said free will is also rendered impossible if not altogether meaningless.  Therefore moral desert can only exist as a coherent concept if it no longer contains within it any assumptions of the moral agent having an ability to have chosen to do otherwise (again, ignoring randomness).  So what does this realization imply for our preconceptions of justified punishment or even justice itself?

At the very least, the concept of moral desert that is involved in these other concepts needs to be reformulated or restricted given the impossibility and thus the non-existence of libertarian free will.  So if we are to say that people “deserve” anything at all morally speaking (such as a particular punishment), it can only be justified let alone meaningful in some other sense, such as a consequentialist goal that the implementation of the “desert” (in this case, the punishment) effectively accomplishes.  Punishing the wrongdoer can no longer be a means of their getting their due so to speak, but rather needs to be justified by some other purpose such as rehabilitation, future crime deterrence, and/or restitution for the victim (to compensate for physical damages, property loss, etc.)  With respect to this latter factor, restitution, there is plenty of wiggle room here for some to argue for punishment on the grounds of it simply making the victim feel better (which I suppose we could call a form of psychological restitution).  People may try to justify some level of punishment based on making the victim feel better, but vengeance should be avoided at all costs, and one needs to carefully consider what justifications are sufficient (if any) for punishing another with the intention of simply making the victim feel better.

Regarding psychological restitution, it’s useful to bring up the aforementioned concepts of retribution and vengeance, and appreciate the fact that vengeance can easily result in cases where no disinterested party performs the punishment or decides its severity, and instead the victim (or another interested party) is involved with these decisions and processes.  Given the fact that we lack libertarian free will, we can also see how vengeance is not rationally justifiable and therefore why it is important that we take this into account not only in terms of society’s methods of criminal behavioral correction but also in terms of how we behave toward others that we think have committed some wrongdoing.

Deterrence & Fairness of Punishment

As for criminal deterrence, I was thinking about this concept the other day and thought about a possible conundrum concerning its justification (certain forms of deterrence anyway).  If a particular punishment is agreed upon within some legal system on the grounds that it will be sufficient to rehabilitate the criminal (and compensate the victim sufficiently) and an additional amount of punishment is tacked on to it merely to serve as a more effective deterrent, it seems that it would lack justification, with respect to treating the criminal in a fair manner.

To illustrate this, consider the following: if the criminal commits the crime, they are in one of two possible epistemic states — either they knew about the punishment that would follow from committing the crime beforehand, or they didn’t.  If they didn’t know this, then the deterrence addition of the punishment wouldn’t have had the opportunity to perform its intended function on the potential criminal, in which case the criminal would be given a harsher sentence than is necessary to rehabilitate them (and to compensate the victim) which should be the sole purpose of punishing them in the first place (to “right” a “wrong” and to minimize behavioral recurrences).  How could this be justified in terms of what is a fair and just treatment of the criminal?

And then, on the other hand, if they did know the degree of punishment that would follow committing such a crime, but they committed the crime anyway, then the deterrence addition of the punishment failed to perform its intended function even if it had the opportunity to do so.  This would mean that the criminal is once again, given a punishment that is harsher than what is needed to rehabilitate them (and also to compensate the victim).

Now one could argue in the latter case that there are other types of justification to ground the harsher deterrence addition of the punishment.  For example, one could argue that the criminal knew beforehand what the consequences would be, so they can’t plead ignorance as in the first example.  But even in the first example, it was the fact that the deterrence addition was never able to perform its function that turned out to be most relevant even if this directly resulted from the criminal lacking some amount of knowledge.  Likewise, in the second case, even with the knowledge at their disposal, the knowledge was useless in actualizing a functional deterrent.  Thus, in both cases the deterrent failed to perform its intended function, and once we acknowledge that, then we can see that the only purposes of punishment that remain are rehabilitation and compensation for the victim.  One could still try and argue that the criminal had a chance to be deterred, but freely chose to commit the crime anyway so they are in some way more deserving of the additional punishment.  But then again, we need to understand that the criminal doesn’t have libertarian free will so it’s not as if they could have done otherwise given those same conditions, barring any random fluctuations.  That doesn’t mean we don’t hold them responsible for their actions — for they are still being justifiably punished for their crime — but it is the degree of punishment that needs to be adjusted given our knowledge that they lack libertarian free will.

Now one could further object and say that the deterrence addition of the punishment isn’t intended solely for the criminal under our consideration but also for other possible future criminals that may be successfully deterred from the crime given such a deterrence addition (even if this criminal was not).  Regardless of this pragmatic justification, that argument still doesn’t justify punishing the criminal, in such a way, if we are to treat the criminal in a fair way based on their actions alone.  If we bring other possible future criminals into the justification, then the criminal is being punished not only for their wrongdoing but in excess for hypothetical reasons concerning other hypothetical offenders — which is not at all fair.  So we can grant the fact that some may justify these practices on pragmatic consequentialist grounds, but they aren’t consistent with a Rawslian conception of justice as fairness.  Which means they aren’t consistent with many anti-consequentialist views (such as Kantian deontologists for example) that often promote strong conceptions of justice and moral desert in their ethical frameworks.

Conclusion

In summary, I wanted to reiterate the fact that even if our intuitive conceptions of moral desert and justice sometimes align with our rational moral goals, they often lack rational justification and thus often serve to inhibit the implementation of any kind of rational moral theory.  They often produce behaviors that are vengeful, malicious, sadistic, and most often counter-productive to our actual moral goals.  We need to incorporate the fact that libertarian free will does not (and logically can not) exist, into our moral framework, so that we can better strive to treat others fairly even if we still hold people responsible in some sense for their actions.

We can still hold people responsible for their actions (and ought to) by replacing the concept of libertarian free will with a free will conception that is consistent with the laws of physics, with psychology, and neurology, by proposing for example that people’s degree of “free will” with respect to some action is inversely proportional to the degree of conditioning needed to modify such behavior.  That is to say, the level of free will that we have with respect to some kind of behavior is related to our ability to be programmed and reprogrammed such that the behavior can (at least in principle) be changed.

Our punishment-reward systems then (whether in legal, social, or familial domains), should treat others as responsible agents only insofar as to protect the members of that society (or group) from harm and also to induce behaviors that are conducive to our physical and psychological well being — which is the very purpose of our having any reasonable moral theory (that is sufficiently motivating to follow) in the first place.  Anything that goes above and beyond what is needed to accomplish this is excessive and therefore not morally justified.  Following this logic, we should see that many types of punishment including, for example, the death penalty, are entirely unjustified in terms of our moral goals and the strategies of punishment that we should implement to accomplish those goals.  As the saying goes, an eye for an eye makes the whole world blind, and thus barbaric practices such as inflicting pain or suffering (or death sentences) simply to satisfy some intuitions need to be abolished and replaced with an enlightened system that relies on rational justifications rather than intuition.  Only then can we put the primitive, inhumane moral systems of the past to rest once and for all.

We need to work with our psychology (not only the common trends between most human beings but also our individual idiosyncrasies) and thus work under the pretense of our varying degrees of autonomy and behavioral plasticity.  Only then can we maximize our chances and optimize our efforts in attaining fulfilling lives for as many people as possible living in a society.  It is our intuitions (products of evolution and culture) that we must be careful of, as they can (and often have throughout history) led us astray to commit various moral atrocities.  All we can do is try to overcome these moral handicaps the best we can through means of reason and rationality, but we have to acknowledge that these problems exist before we can face them head on and subsequently engineer the right kinds of societal changes to successfully reach our moral goals.